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2012 Vimeo Festival + Awards: Last Day To Submit + New Judges Added

20 February, 2012 by

Today — February 20, 2012 — is the last day to submit your work to the 2012 Vimeo Festival + Awards. The submission process is simple, and if you already have your work hosted on Vimeo, and if you have an existing paypal account, this is an easy-breezy process that takes minutes.

Entrants can submit any original work as long as it premiered online between July 31, 2010 and February 20, 2012, or any original work that has never premiered anywhere.  The winner of each category receives a grant of $5,000 and the Grand Prize winner receives a $25,000 grant to produce new work.

Click here to submit. You have until 11:59pm on 2.20.2012.

It was recently announced that Peter Greenaway (A Zed & Two Noughts, 1985) will be a judge of the experimental category, and Steve James (Hoop Dreams, 1994, The Interrupters, 2011) will judge the documentary category.

The panel consists of three judges per category across 13 categories, and includes actor and director James Franco; Parks and Recreation Star Aziz Ansari, 2012 Oscar Nominee Lucy Walker; Radiohead’s Colin Greenwood; Scott Pilgrim vs. the World director Edgar Wright; snowboard superstar Travis Rice; Thierry Mugler and UNIQLO creative director Nicola Formichetti; Shelly Page of DreamWorks Animation; Barbara London of The Museum of Modern Art; advertising legend David Droga; and many more.

The current list of judges includes:

Action Sports

Advertising

Animation

Captured

Documentary

Experimental

Fashion

Lyrical

Motion Graphics

Music Video

Narrative

Original Series

Remix

 

More:

7 Question Interview with Jeremy Boxer, Vimeo Festival

2012 Vimeo Festival + Awards

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Nicolas Maigret [Paris] && HARD R [Chicago] @ the Nightingale, 21 February, 2012

13 February, 2012 by


presented by Upgrade!Chicago (curated by Nick Briz)
@ the Nightingale
1084 N. Milwaukee, Chicago, IL, 60642 (map)

Tuesday, February 21, 2012
@ 7PM
$5 donation

On Tuesday, Feb 21, at 7pm, Upgrade!Chicago presents an evening of experimental sound/music performances and noise/new-media lectures by Nicolas Maigret (Paris) and HARD R (Chicago).

Upgrade!Chicago is an art and technology series which presents new-media projects, engages in informal critique, and fosters dialogue and collaboration between individual artists. Upgrade! Chicago is the local node of the international Upgrade! network and meets at the Nightingale Theatre.

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Nicolas Maigret has been developing experimental sound and electronic image projects (performances, installations, programming, radio) since 2001. Maigret takes the internal characteristics of the media, which are revealed through their errors, dysfunctions, borderlines or failure threshold, and develops them into sensory and immersive audio visual experiences.

After studying Intermedia arts with a focus in avant-garde theoretical education, he joined the laboratory Locus-Sonus in Nice dedicated to networked sound art research.

Maigret taught at the Fine Arts School of Bordeaux and is presently involved in an artist run space named Plateforme in Paris. He develops digital and sound art projects in collaboration with Nicolas Montgermont under the name Art Of Failure. His works have been presented in various exhibitions and venues such as File (Sao Paulo, BR); Gli.tc/h (Birmingham, UK); DeOrigenBélico, (Caracas, VE); Sonica (Ljubljana, SI); Leeds Film Festival (UK); Le Zoo (Genève, CH); Artivistic (Montreal, CA); ESG (Kosice, SK); Cimatics (Brussels, BE); Gaite Lyrique (Paris, FR).

http://peripheriques.free.fr/ + http://artoffailure.free.fr/

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HARD R is a Chicago-based collaboration between Michael Junokas and Edward Breitweiser. Together, Junokas and Breitweiser design software and electronic systems for improvised musical performances.

Michael Junokas is a member of the faculty at Elmhurst College, teaching music theory and composition. He is also the music director at Notre Dame de Chicago Parish. In 2010, he graduated from DePaul University with an M.M., studying under Juan Campoverde Q.

Edward Breitweiser is a Chicago-based artist, musician, and writer. His works have been presented at Festival MusicAlp (Courchevel, FR); the Illinois State University Galleries (Normal, IL, USA); the School of the Art Institute of Chicago; Salle Cortot (Paris, France); threewalls (Chicago); the Giorgio Cini Foundation (Venice, IT); Stramash Space (Glasgow, UK); and the Network Music Festival (Birmingham, UK).

www.hardr.bandcamp.com

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Gibraltar Point (2012) by Geoffrey Pugen

7 February, 2012 by

Geoffrey Pugen & Alex McLeod, 2012, video, 50 sec, color, sound

Intimations of dolphin mysticism and the auspices of nature intersect at the icy node of Gibraltar Point.

More:

Geoffrey Pugen

Geoffrey Pugen vimeo

Alex McLeod

Alex McLeod vimeo

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Past Lives (2011) by Jeremiah Johnson

2 February, 2012 by
“Event” by Jeremiah Johnson

“Event”

“Genesis” by Jeremiah Johnson

“Genesis”

“Approach” by Jeremiah Johnson

“Approach”

“Propagation” by Jeremiah Johnson

“Propagation”

“Response” by Jeremiah Johnson

“Response”

by Jeremiah Johnson

Past Lives takes Amano Kunihiro’s Lost Past 4 as a starting point, deconstructing the work into a series of computer drawings and animations produced for the QR/ART exhibition curated by Krystal South at the Portland Art Museum.”

More:

Jeremiah Johnson

Null Sleep

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empty_window_by_kim_asendorf (2011)

30 January, 2012 by

Empty Window (2011) by Kim Asendorf

“Empty Window” by Kim Asendorf.

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DINCA: Top 10 Films of 2011

12 January, 2012 by

Keira Knightly in A Dangerous Method (2011) Michael Fassbender & Viggo Mortensen in A Dangerous Method (2011).

I have not seen every film that was released in 2011, but I’ve seen a good many, and here are my reflections on the most notable films of 2011.

 

10.
DRIVE
directed by Nicolas Winding Refn
written by Hossein Amini (screenplay), James Sallis (book)
stars: Ryan Gosling, Carey Mulligan, Bryan Cranston

A dirty neon, LA love story, wherein a real taciturn hero (Ryan Gosling), and a winsome young mother (Carey Mulligan), meet under unfortunate circumstances.  Do people make the circumstances, or do circumstances make the people?  Seemingly this is the thematic question underlying the film.

The casting is a success: Gosling and Mulligan are the best part of the film.

Drive is a soundtrack film, this is made apparent after an enthralling opening chase scene when Kavinsky’s “Night Call” plays over the opening credits.  Driving motifs have always been a part of Kavinsky’s music, so this is a fitting choice for the film.  Along with the Kavinsky track, “Under Your Spell” by Desire and “A Real Hero” by College are a perfect musical fit.  In many ways the soundtrack augments this moody love film — but perhaps sometimes the film is too reliant on its soundtrack for emotional cues — but it still works well, and Cliff Martinez does a fine job laying down the sonic bed of suspense.

On the outside, Drive has a candy-coated shell of action, nuanced-suspense, and retro aesthetic; at heart, the film is a love story, a love story of forlorn hope, where we wait for the people we love, where we commit crimes for the people we love.

 

9.
MIDNIGHT IN PARIS
directed by Woody Allen
written by Woody Allen
stars: Owen Wilson, Rachel McAdams, Kathy Bates

Midnight In Paris definitely is Woody Allen’s best film since Match Point (2005).  Owen Wilson plays Gil, a screenwriter vacationing in Paris with his uptight fiancée, Inez (Rachel McAdams).  The two spend more time with McAdams’ pedantic friend, Paul (Michael Sheen), than they do alone. Pedantic Paul sets the table for some funny art humor.

Wilson is a screenwriter having trouble with his first novel.  Luckily, he stumbles upon a magic hot-spot where at the strike of midnight, he is carried back to an earlier period marked with creative fecundity and intellectual glamor, where he meets and falls for a beautiful and charming woman (Marion Cotillard), and hangs with artistic heavyweights like Pablo Picasso, Luis Bunuel, Salvador Dali, Ernest Hemingway, F. Scott Fitzgerald, T.S. Eliot, and is introduced to a famous publisher (Kathy Bates) who proof-reads his novel.

The film also features a lovely soundtrack, which is highly recommended.  According to iTunes, I’ve listened to “La Conga Blicoti” by Josephine Baker over 40 times since the film hit the theatre.

The film is a halcyon fantasy filled with love, creativity, and magical elements of time-travel.

 

8.
THE TREE OF LIFE
directed by Terrence Malick
written by Terrence Malick
stars: Brad Pitt, Sean Penn, Jessica Chastain

Much like the title denotes, The Tree of Life is an art house epic, and many words could be written about it.  You could write essay on it, a treatise — a tome.

Emmanuel Lubezki’s cinematography is glorious.  Malick is a great director and there’s no arguing his dedication to this project and to his vision.

A very literal way of interpreting this abstract thing called life.

 

7.
MELANCHOLIA
directed by Lars von Trier
written by Lars von Trier
stars: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland

Amongst my friends, Melancholia is the most polarizing film of the 2011, which makes sense, because the film itself is bipolar, dark, apocalyptic, and toned with abject depression — but it’s also a dark comedy.

Part 1 of the film features the pulchritudinous Kirstin Dunst as a despondent bride on her big wedding day, a wedding so big that a professional wedding planner (Udo Kier) is on the floor and commanding the events.  The bride makes some outlandish decisions, deviates from the fastidious schedule, and hilarity and absurdism ensues, but in a very fragile and dramatic sense.

Part 2 of the film deals with the characters’ varying expectations, interpretations, and actions pertaining to the oncoming contact with a mystifying planet named Melancholia.

Melancholia deals with absurdism and celestial catastrophe in a very dark and beautiful way.

 

6. (TIE)
Two gems of American independent cinema.

6. (TIE)
MARTHA MARCY MAY MARLENE
directed by Sean Durkin
written by Sean Durkin
stars: Elizabeth Olsen, Sarah Paulson, John Hawkes

Marcy May Mary Marlene is a winner in the storytelling department: despite its prosaic cinematography, its slow-and-steady approach to non-linearity works surprisingly well and allows the viewer to walk in the shoes of a very fragile character experiencing psychosis; it illustrates the cause-and-effect relationship and harrowing aftermath of mental abuse.

Elizabeth Olsen gives a strong performance; director Sean Durkin builds a strong arc of rising action up to a very strong ending — an impressive first feature film effort — great storytelling with little budget.

 

6. (TIE)
MEEK’S CUTOFF
directed by Kelly Reichardt
written by Jonathan Raymond (screenplay)
stars: Michelle Williams, Bruce Greenwood, Paul Dano

Meek’s Cutoff — probably Kelly Reichardt’s best film to date — is a realist and minimalistic period drama.  Did you play the oregon trail computer game in school growing up?  Well, this pensive film is like that, insofar as its action involves rationing your food and water, and fixing supplies like busted wagon wheels and axles.  The film is based on a historical event involving a certain frontier guide named Stephen Meek back during the mid 1800s.

Kelly is a homie: she makes films on a scant budget: 2mil for Meek’s Cutoff, an estimated 200,000 budget for Wendy & Lucy (2008), Old Joy (2006) definitely had lesser, and her first feature River of Grass was shot on 8mm (saw River of Grass recently at the Nightingale).

 

5.
THE INTERRUPTERS
directed by Steve James
stars: Ameena Matthews, Jeff Fort, Cobe Williams

Kartemquin makes many great documentary films; The Interrupters is one of their best.  Directed by the illustrious Steve James (Hoop Dreams, 1994), the film examines the pervasive problem of senseless violence in Chicago, focusing on the benevolent women and men — the interrupters — who obviate the violence by forming relationships with and watching out for those with a short fuse.

Some of the Eddie Bocanegra scenes in the film were shot in/around the neighborhood I live in.  You see the Ceasefire stickers around here, you see the Ceasefire signs around here, sometimes you hear the gunshots late at night.  Senseless violence truly is a problem in Chicago . . . and not just in Chicago, it’s a ubiquitous problem, as we all surely know.

It’s sad, very sad.  It seems every time you watch the local news you see a new story about an innocent kid — walking to school or waiting for the bus — who gets killed by a stray bullet related to gang violence or some senseless altercation.  The Interrupters examines certain stories like these.

I saw this film at the Gene Siskel Film Center; one of the interrupters, Cobe Williams, was at the screening.  He provided great insight during his Q&A.

Fun fact: for those that have seen the film, Cobe said Flamo now lives in Minnesota and is pursuing stand up comedy.

This film deserves academy recognition and wide distribution. Hey PBS, pick it up.

 

4. (TIE)
SHAME
directed by Steve McQueen
written by Abi Morgan & Steve McQueen
stars: Michael Fassbender, Carey Mulligan, James Badge Dale

A Manhattan neorealist story (with two magnificent professional actors: Michael Fassbender & Carey Mulligan) about the strife of life and the imbalance of relationships, love, and family.

 

4. (TIE)
THE SKIN I LIVE IN
directed by Pedro Almodóvar
written by Pedro Almodovar & Agustin Almodovar
stars: Antonio Banderas, Elena Anya, Jan Cornet

A madmen will go to great lengths for love.  Almodóvar at his best.

 

3.
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES
directed by Apichatpong Weerasethakul
written by Phra Sripariyattiweti (inspired by the book of), Apichatpong Weerasethakul
stars: Thanapat Saisaymar, Jenjira Pongpas, Sakda Kaewbuadee

The film’s sublime beauty is enchanting.  Whether it be by dint of a red-eyed monster, a human, a ghost, or a talking catfish, Uncle Boonmee Who Can Recall His Past Lives channels the Life Force with profound imagery and allegory, expanding the cinematic ambit with the supernatural and other forms of life foreign to our own known existence.

FACING THE JUNGLE,
THE HILLS AND VALES,
MY PAST LIVES AS AN ANIMAL AND OTHER BEINGS
RISE UP BEFORE ME.

 

2.
TABLOID
directed by Errol Morris
stars: Joyce McKinney, Kent Gavin, Dr. Hong

An impeccable documentary film by Errol Morris, a master of documentary cinema.  Arguably, this is Morris’ quirkiest film to date, and it’s a love story, a very bizarre love story.  A madwoman will go to great lengths for love.

The motion graphics, titles, and animation are supreme.  Right up there with I.O.U.S.A. (2008) for best graphics in a documentary.

Joyce McKinney is a very intelligent and eccentric person, a true romantic; her commitment to true romance is — to say the least — fascinating and admirable.

 

1.
A DANGEROUS METHOD
directed by David Cronenberg
written by Christopher Hampton (screenplay), John Kerr (book)
stars: Michael Fassbender, Keira Knightley, Viggo Mortensen

Perfected success.

A glorious story of young woman’s mental liberation and the profundities of true love, the conjugal life, work, friendship, and the conscious and subconscious life.

Keira Knightley, Michael Fassbender, and Viggo Mortensen gift superlative performances as Sabrina Spielrein, Carl Jung, and Sigmund Freud, respectively.  Howard Shore creates a deeply moving musical score (sample “Galvanometer,” or “Siegfried,” or “Letters,” or “Sigfried Idyll”).  Cronenberg directs and orchestrates a marvelous slice of biopic.  A Dangerous Method clearly is 2011′s cinematic best; a perfect success.

The mental fight is a harrowing thing; freedom of the mind is a powerful and beautiful thing.

— A. L. R.

 

TOP 10
1. A Dangerous Method
2. Tabloid
3. Uncle Boonmee Who Can Recall His Past Lives
4. (tie) The Skin I Live In
4. (tie) Shame
5. The Interrupters
6. (tie) Meek’s Cutoff
6. (tie) Martha Marcy May Marlene
7. Melancholia
8. The Tree of Life
9. Midnight In Paris
10. Drive

HONORABLE MENTIONS
Cave of Forgotten Dreams
Certified Copy

BEST EXPERIMENTAL FILM
Slow Action by Ben Rivers

BEST 3D FILM
Mercurial Madness by Kerry Laitala

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obliteration room by Yayoi Kusama

10 January, 2012 by

Obliteration Room by Yayoi Kusama: an interactive happening between colored stickers, children, and a white room canvas. Part of Kusama’s major solo exhibit “Look Now, See Forever” at the Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia.

Yayoi Kusama, 2005

“Look Now, See Forever” from 19 November 2011 to 11 March 2012.

More:

(intro) Look Now, See Forever

Obliteration Room

Yayoi Kusama’s website

Hey Bubbles’ photos of Obliteration Room

“Before The First Dot”

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Woman Not Included (2011) by Maria Zendre

3 January, 2012 by

maria-zendre-woman-not-includedmaria-zendre-woman-not-included2maria-zendre-woman-not-included3maria-zendre-woman-not-included4maria-zendre-woman-not-included5

Following the truism of “sex sells,” Maria Zendre‘s prurient new media project “Woman Not Included” experiments with salacious methods of selling second-hand electronic goods via the online marketplace (marktplaats.nl). The three items for sale:

  • Blue acer aspire netbook
  • Mac mini
  • Sampler Roland SP-404
“Woman Not Included” pursued a visitor-reactionary thesis stating, “What is gonna happen? Maybe the advertisements in Marktplaats will get removed immediately, maybe the prize of the products will go really high or stay really low (as it will be a bid) . . .

Screenshot of “Woman Not Included” on Marketplaats.nl

Unfortunately, Zendre hasn’t provided a written conclusion to her hypothesis and the results of the bidding data remain unclear. Subsequently, three images from the project were presented in a lightbox exhibition format at the 2011 Gogbot Festival.

(45 cm x 33 cm) and 3 lightboxes with the respective photographs (98 cm x 24 cm) C-print in Duratrans, wood, plexiglas, daylight tubes (FOTO: Nico Verkerk):

More:

Maria Zendre’s website

“Woman Not Included” website

2011 Gogbot Festival

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David Cronenberg on the Human Technological Conduit

2 January, 2012 by
“Technology is us. There is no separation. It’s a pure expression of human creative will. It doesn’t exist anywhere else in the universe. I’m rather sure of that.”
— David Cronenberg
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Captcha (2010) by Gabrielle de Vietri

29 December, 2011 by

Captcha, Gabrielle de Vietri, 2010, video, 5 min, color, sound

Using captcha vocables as poetic fodder, and guided by Vietri’s acerbic wit, Captcha recounts the meta-mythical tale of ‘Desmodowe’ and the ‘redlemutes.’

More:
Gabrielle de Vietri website
Gabrielle de Vietri on vimeo

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2012 DINCA Stixx

27 December, 2011 by

2012 DINCA stickers are here. PMS 802C ink on clear vinyl. Stix printed by VG Kids.

If you want a sticker, email your mailing address to AR@dinca.org.

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 ( D | I | N | C | A )
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