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avant-garde

Support the 2012 Chicago Underground Film Festival Kickstarter Campaign

8 May, 2012 by

There’s only three days left to help the Chicago Underground Film Festival reach it’s Kickstarter goal. Please consider donating to this worthy cause. The CUFF crew does some truly amazing things in Chicago — year-round — and the festival fosters a fecund environment for underground filmmakers, freaks, patrons, and curious movie watchers every year.

The CUFF just released its 2012 official lineup and it looks promising. View the 2012 lineup via Bad Lit.

Support the arts. Help CUFF.

The CHICAGO UNDERGROUND FILM FESTIVAL (CUFF), a showcase of defiant and offbeat cinema that confronts the tired, the market-driven, and the predictable. Through its eight-day program of adventurous, experimental works, CUFF celebrates the artistic, aesthetic, and just plain old fun side of independent filmmaking while challenging and transcending commercial and audience expectations.

Much more than a film festival, CUFF has gained a reputation as one of Chicago’s most anticipated cross-cultural summer events. Daily screenings at the Gene Siskel Film Center are followed by parties and live music events.

Exhibiting filmmakers receive travel stipends and lodging to attend the Festival, plus full accreditation that includes access to all public screenings, parties, concerts, and other events. With support from the Independent Feature Project (IFP)/Chicago, the Festival also provides filmmakers with prime exposure and networking opportunities with engaged programmers and producers. What’s more, CUFF presents hand-crafted trophies to the films that are deemed best or most interesting in a wide variety of categories, along with “Made in Chicago” and Audience Choice Awards.

Your contribution will help CUFF bring out-of-town artists to Chicago for this year’s festival, providing funds for travel and lodging. CUFF aims not simply to screen film and video, but also to provide a forum for discourse between filmmakers and audience members. As external funding sources for the arts continue to disappear, it has become increasingly difficult for festivals to provide travel stipends, or for artists to finance their own plane tickets and hotel rooms. Each artist that CUFF is able to bring to Chicago enriches the festival experience for both the audience and the other filmmakers, and your donation will have a direct effect in sustaining CUFF’s role as a dynamic, challenging, and fun part of Chicago’s cultural calendar and summer film festival circuit.

Check out our pledge levels…we want to thank you for your efforts…but feel free to pledge any amount you wish! No rules! — Bryan Wendorf, CUFF

 

More

2012 CUFF kickstarter page

CUFF website

2012 CUFF Official Lineup via Bad Lit

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Hollis Frampton on the Super Market

25 April, 2012 by
“One such artless place is the supermarket, an ocean of modularized substance where everything in sight is meant only to be consumed, destroyed, wasted, returned as quickly as possible to the domains of amorphy or thermodynamic affinity. Where everything goes down the drain, anything goes. A certain appetite of mind can, then, find more nourishment in the label on the can than in its contents, a poetic, if wayward, feast. That appetite began in photography, and grew with film. It has not found its limit. Rather, it seeks it, in a METAPRAXIS of observation, analysis, and production.”
— Hollis Frampton, ‘False Impressions’ series, 1979
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2012 (50th) Ann Arbor Film Festival Award Winners

2 April, 2012 by

Ann Arbor Film Festival
50th Festival Award Winners

“The 50th Ann Arbor Film Festival is proud to announce this year’s award winning films as chosen by our esteemed jury: Michael Robinson, Kathy Geritz and Peter Rose.”

Ken Burns Award for Best of the Festival
Lack of Evidence (Manque de Preuves) (Hayoun KWON)

The Stan Brakhage Film at Wit’s End Award
Voluptuous Sleep (Betzy Bromberg)

Lawrence Kasdan Award for Best Narrative Film
Palaces of Pity (Daniel Schmidt, Gabriel Abrantes)

Michael Moore Award for Best Documentary Film
Guañape Sur (János Richter)

Award for Best International Film
Untitled (Neil Beloufa)

Peter Wilde Award for Most Technically Innovative Film
Vexed (Telcosystems)

\aut\FILM Award for Best LGBT Film
The Evil Eyes (Bobby Abate)

Award for Best Sound Design
Remote (Jesse McLean)

Kodak/Colorlab Award for Best Cinematography
Undergrowth (Robert Todd)
Within (Robert Todd)

The No Violence Award
If the War Continues (Jonathan Schwartz)

Gus Van Sant Award for Best Experimental Film
Sounding Glass (Sylvia Schedelbauer)

Chris Frayne Award for Best Animated Film
It’s such a beautiful day (Don Hertzfeldt)
Traces (Scott Stark)

The Barbara Aronofsky Latham Award for Emerging
Experimental Video Artist

Ceibas: The Epilogue – The Well of Representation
(Evan Meaney)

Prix DeVarti for Funniest Film
Walt Disney’s “Taxi Driver” (Bryan Boyce)
Shadow Cuts (Martin Arnold)
Pluto Declaration (Travis Wilkerson)

Tom Berman Award for Most Promising Filmmaker
The Strawberry Tree (Simone Rapisarda Casanova)

George Manupelli Founder’s Spirit Award
By Foot-Candle Light (Mary Helena Clark)

Art & Science Award
20Hz (Semiconductor)

The Eileen Maitland Award
Irma (Charles Fairbanks)

Award for Best Music Video
Go Outside by Cults (Isaiah Seret)

JURY AWARDS:

As Above, So Below (Sarah J. Christman)

Tin Pressed (Dani Leventhal)

Curious Light (Charlotte Pryce)

Landfill 16 (Jennifer Reeves)

August Song (Jodie Mack, Emily Kuehn)

A Lax Riddle Unit (Laida Lertxundi)

Quest (Cautare) (Ionuţ Piturescu)

The House (Das Haus) (David Buob)

Envelop by Julianna Barwick (Cam Archer)

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DINCA Coverage of the 50th Annual Ann Arbor Film Festival

27 March, 2012 by

DINCA will be in Ann Arbor, Michigan, from 3.28–4.1, reporting on the 2012 Ann Arbor Film Festival.

Today is the first day of the 50th annual Ann Arbor Film Festival. The AAFF has a superlative lineup of events this year, with over 200 independent and experimental works, including new work by Deborah Stratman, Ben Rivers, Ben Russell, Michael Robinson, David Gatten, Laida Lertxundi, Kerry Laitala, Scott Stark, Mary Helena Clark, Fern Silva, Bobby Abate, Jodie Mack, Evan Meaney, and many more, plus some very special treasures and gems from avant-garde cinema.

If you’re in midwest, this is a week of events worth road-trippin’ to; if you’re not in the midwest, this is a week of events worth road-trippin’ to.

The 50th AAFF will include special programs of work by Peter Rose, Robert Nelson, Barbara Hammer, Michael Robinson, a juror presentation by Kathy Geritz, Phil Solomon, Paul Clipson, a Leighton Pierce gallery walkthrough, and three Bruce Baille retrospectives.

As part of the AAFF’s 50 Screen initiative, Phil Solomon has installed his “American Falls” installation at the Work Gallery; Leighton Pierce has installed his “Threshold of Peripheral Induction” at the University of Michigan’s Slusser Gallery; and the Michigan Theater installations, the Gallery Project exhibition, the Nickels Arcade exhibition feature plenty more treats.

More on the AAFF’s 50 Screen Initiative:

The 50th Ann Arbor Film Festival presents 50 SCREENS, a city-wide series of free film, video and moving image installations. Throughout film festival week local, national and international artists will illuminate more than fifty screens in galleries, theaters, shops, outdoor locations and non-traditional screening spaces in Ann Arbor. The intention of this expansion beyond traditional cinema screenings is to more widely engage the public with film as an art form in celebration of the 50th Ann Arbor Film Festival, taking place March 27 – April 1, 2012.

As aforementioned, DINCA will be in Ann Arbor reporting on the AAFF from Wednesday, March 28 – Sunday, April 1, 2012. Andrew Rosinski and Theodore Darst will be representing DINCA; if you, too, are at the AAFF, let us know.

This week on dinca.org is AAFF week, so stayed tuned for some interesting coverage of the festival — also checkout our twitter profile for some menial updates — dinca.org, dedicated to disseminating Sacred Visions 2 U.

More:

2012 AAFF Schedule

AAFF 50 Screens schedule & overview

AAFF: 50 Screens
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The Phil Morton Memorial Research Archive Presents: Cyber Psyche Out! Friday, March 9, 2012

5 March, 2012 by

The Phil Morton Memorial Research Archive Presents:
CYBER PSYCHE OUT !
An evening of cyberpsychedelic sounds and visions.
Friday, March 9th, 2012 @ Ball Hall. 8pm.
Chicago, IL

Cyber Psyche Out will feature selected screenings of realtime analog computer and video art magic from the Phil Morton Archive. Founded by jonCates in 2007, the Phil Morton Archive freely and openly releases materials under Morton’s own COPY-IT-RIGHT license, a proto open source alternative to copyright. COPY-IT-RIGHT encourages making, sharing, remixing, and distributing of experimental media art.

Sonically, the night will feature ambient synthesizer sets by Daniel Smith, White Prism (Ben Billington & Josh Burke), and Jacob Kart & Danny Van Duerm.

numbers.fm will broadcast the event.

9 pm:  Screenings
10 pm: Q + A w/ jonCates (Founder and Director of the Archive) and Chelsey Hoff (Assistant Director)

10:30 pm: Jacob Kart + Danny Van Duerm (a Phil Morton inspired set.)

11 pm: White Prism

11:30 pm: Daniel Smith

$5 suggested donation

Audio for video flyer by Ben Billington.

More:

Phil Morton on VBD

 

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obliteration room by Yayoi Kusama

10 January, 2012 by

Obliteration Room by Yayoi Kusama: an interactive happening between colored stickers, children, and a white room canvas. Part of Kusama’s major solo exhibit “Look Now, See Forever” at the Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia.

Yayoi Kusama, 2005

“Look Now, See Forever” from 19 November 2011 to 11 March 2012.

More:

(intro) Look Now, See Forever

Obliteration Room

Yayoi Kusama’s website

Hey Bubbles’ photos of Obliteration Room

“Before The First Dot”

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Kickstarter: INCITE Journal of Experimental Media, Issue #3: New Ages

30 October, 2011 by

Q. Why is a ghost such a messy eater?
A. Because he is always a goblin.

Q. Why did the skeleton go discothèque dancing?
A. To see the booooooogy man.

Q. What tops off a ghost’s ice cream sundae?
A. Whipped scream3.

Q. What is R.L. Stine’s favorite drink?
A. Purp GHOUL-AID.

Q. Why didn’t the skeleton see the transgressive, non-narrative experimental film?
A. He didn’t have the guts.

Are you a patron of spooky, obscure things like gouls, goblins, and journals of experimental media? Well, boo-gy down and check out INCITE, a fantastic journal of experiment media. There are five days left to support INCITE, so please consider kicking it: http://kck.st/incite3 — and check out the rare swag.

The forthcoming issue of INCITE, “New Ages,” features over 160 pages of writing, art work, interviews, scholarly articles, more than 20 full color images, and contributions by 25 artists, filmmakers, writers, curators, and scholars from across the U.S. and Canada.  We recently launched a Kickstarter campaign to raise funds for the printing of the issue, which ends in early November.

INCITE #3 aims at addressing the generational shifts and divides in today’s experimental film, video, and new media spheres, utilizing the 2010 International Experimental Media Congress as an opportunity for reflection. In addition to compiling a dossier of idiosyncratic reflections on the Congress, this issue also focuses on the renewed fascination with “New Age” spirituality, philosophy and aesthetics among contemporary media artists. You can view the Table of Contents for Issue #3 and read the Congress Dossier online.

Contributors include: Dominic Angerame, Jaimz Asmundson, Jeremy Bailey, Christina Battle, Thomas Beard, Roger Beebe, Michael Betancourt, Mireille Bourgeois, Jacob Ciocci and Jesse McLean, Clint Enns, Walter Forsberg, Brian L. Frye, Benj Gerdes, Brett Kashmere, Eliza Koch, Kevin McGarry, James Missen, Shana Moulton, Peter Nowogrodzki, Marisa Olson, Andrew James Paterson, Ken Paul Rosenthal, Ekrem Serdar, Leslie Supnet, Tess Takahashi. Cover design by Jacob Ciocci.

The website for the journal is here:
http://incite-online.net

Details about the Kickstarter campaign are here:
http://kck.st/incite3

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Loretta (2003) by Jeanne Liotta

15 September, 2011 by

Loretta, jeanneLIOTTA, 2003, 16mm, 4 min, sound by Carlo Altomare

Light and dark on film
Light and dark on screen
A telephone rings, a figure is seen.

Light and dark on film, light and dark on screen
The new and the Light
The new Light from the Dark make Gold.

Light and dark on film
Light and dark on screen
The old sound will ring; the new sound will ring.

Synopsis: An abstract moving rayogram in the form of a woman or an aria. Living-in-time experienced as a high drama, dissolving into the infinite. A dialectical manifestation of phenomena in flux, like any other movie.
www.jeanneliotta.net/loretta.html

More:

Jeanne Liotta’s website
Jeanna Liotta on vimeo

Jeanne Liotta: artist & believer.

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Frames: Hold Me While I’m Naked (1966) by George Kuchar

9 September, 2011 by

Hold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George KucharHold Me While I'm Naked (1966) by George Kuchar

1966, 16mm, color/so, 15m

Frames are presented in sequential order.

“A very direct and subtle, very sad and funny look at nothing more or less than sexual frustration and aloneness. In its economy and cogency of imaging, HOLD ME surpasses any of Kuchar’s previous work. The odd blend of Hollywood glamour and drama with all-too-real life creates and inspires counterpoint of unattainable desire against unbearable actuality.”

— Ken Kelman

“This film could cheer an arthritic gorilla, and audiences, apparently sensitized by its blithely accurate representation of feelings few among them can have escaped, rise from their general stupor to cheer it back.”

— James Stoller, The Village Voice


More:

Watch this film and more Kuchar film over at UBU

George Kuchar on IMDB

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a Painting by George Kuchar

8 September, 2011 by

a painting by george kuchar

A painting by the late George Kuchar.

Photo credit: Elisa Harkins.

If anyone has additional information on the painting, please comment. Apparently this photograph was snapped at NEXT, Chicago, year unknown.

 

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An ASCII Eulogy for George Kuchar (R.I.P. 1942–2011)

7 September, 2011 by
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