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experimental film

Walt Disney’s Taxi Driver (2011) by Bryan Boyce

9 May, 2012 by

Walt Disney’s Taxi DriverBryan Boyce, 2011, 4 min, color, sound

Clever appropriation and frame manipulation results in a droll amalgamation of disney motifs within the bounds of Martin Scorsese’s Taxi Driver (1976), a short found-footage film that follows a “Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City.”

Walt Disney’s Taxi Driver played at the 50th annual Ann Arbor Film Festival and won the Prix DeVarti award for Funniest Film. The film will also play at the upcoming Chicago Underground Film Festival.

More:

Election Collectibles by Bryan Boyce

Bryan Boyce’s YouTube Channel

50 AAFF

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Undergrowth (2011) by Robert Todd

4 April, 2012 by

Undergrowth
by Robert Todd
2011, 12 min, 16mm, color & b/w, sound

Feathers, foliage, flowers, tree bark. Through the eyes of a blind owl, Robert Todd’s Undergrowth (2011) saunters through the woods, craws under brush, climbs trees and branches, and channels the Great sentient Spirit of the woods.

Undergrowth played in one of the best programs at the 50th AAFF: Films in Competition 4. Undergrowth won the Kodak/Colorlab Award for Best Cinematography at the 50th Ann Arbor Film Festival.

More:

Robert Todd’s website

Robert Todd on vimeo

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Ann Arbor Film Festival Animated .gifs Part 2 (American Falls by Phil Solomon)

30 March, 2012 by

AMERICAN FALLS
Phil Solomon, US, 2010, 56 min, three channels, color, sound
March 25 – April 2, 2012
Work Gallery  |  306 State Street  |  Ann Arbor, MI 48104 (map)

Here are a few glimpses of the beautiful installation of Phil Solomon’s American Falls at the Work Gallery in Ann Arbor, Michigan, as part of the 50th annual AAFF.

If you’re in the area, surely don’t miss American Falls at the Work Gallery, which runs until Monday, April 2.

Tonight — March 30, 2012 — Phil Solomon will present and discuss a program dedicated to his films at 9:15pm at the Michigan Theater.

More:

Films by Phil Solomon

American Falls at the AAFF

Phil Solomon’s website

50th AAFF Schedule.

(animated .gifs compiled by Theodore Darst.)

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DINCA Coverage of the 50th Annual Ann Arbor Film Festival

27 March, 2012 by

DINCA will be in Ann Arbor, Michigan, from 3.28–4.1, reporting on the 2012 Ann Arbor Film Festival.

Today is the first day of the 50th annual Ann Arbor Film Festival. The AAFF has a superlative lineup of events this year, with over 200 independent and experimental works, including new work by Deborah Stratman, Ben Rivers, Ben Russell, Michael Robinson, David Gatten, Laida Lertxundi, Kerry Laitala, Scott Stark, Mary Helena Clark, Fern Silva, Bobby Abate, Jodie Mack, Evan Meaney, and many more, plus some very special treasures and gems from avant-garde cinema.

If you’re in midwest, this is a week of events worth road-trippin’ to; if you’re not in the midwest, this is a week of events worth road-trippin’ to.

The 50th AAFF will include special programs of work by Peter Rose, Robert Nelson, Barbara Hammer, Michael Robinson, a juror presentation by Kathy Geritz, Phil Solomon, Paul Clipson, a Leighton Pierce gallery walkthrough, and three Bruce Baille retrospectives.

As part of the AAFF’s 50 Screen initiative, Phil Solomon has installed his “American Falls” installation at the Work Gallery; Leighton Pierce has installed his “Threshold of Peripheral Induction” at the University of Michigan’s Slusser Gallery; and the Michigan Theater installations, the Gallery Project exhibition, the Nickels Arcade exhibition feature plenty more treats.

More on the AAFF’s 50 Screen Initiative:

The 50th Ann Arbor Film Festival presents 50 SCREENS, a city-wide series of free film, video and moving image installations. Throughout film festival week local, national and international artists will illuminate more than fifty screens in galleries, theaters, shops, outdoor locations and non-traditional screening spaces in Ann Arbor. The intention of this expansion beyond traditional cinema screenings is to more widely engage the public with film as an art form in celebration of the 50th Ann Arbor Film Festival, taking place March 27 – April 1, 2012.

As aforementioned, DINCA will be in Ann Arbor reporting on the AAFF from Wednesday, March 28 – Sunday, April 1, 2012. Andrew Rosinski and Theodore Darst will be representing DINCA; if you, too, are at the AAFF, let us know.

This week on dinca.org is AAFF week, so stayed tuned for some interesting coverage of the festival — also checkout our twitter profile for some menial updates — dinca.org, dedicated to disseminating Sacred Visions 2 U.

More:

2012 AAFF Schedule

AAFF 50 Screens schedule & overview

AAFF: 50 Screens
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2012 Vimeo Festival + Awards: Last Day To Submit + New Judges Added

20 February, 2012 by

Today — February 20, 2012 — is the last day to submit your work to the 2012 Vimeo Festival + Awards. The submission process is simple, and if you already have your work hosted on Vimeo, and if you have an existing paypal account, this is an easy-breezy process that takes minutes.

Entrants can submit any original work as long as it premiered online between July 31, 2010 and February 20, 2012, or any original work that has never premiered anywhere.  The winner of each category receives a grant of $5,000 and the Grand Prize winner receives a $25,000 grant to produce new work.

Click here to submit. You have until 11:59pm on 2.20.2012.

It was recently announced that Peter Greenaway (A Zed & Two Noughts, 1985) will be a judge of the experimental category, and Steve James (Hoop Dreams, 1994, The Interrupters, 2011) will judge the documentary category.

The panel consists of three judges per category across 13 categories, and includes actor and director James Franco; Parks and Recreation Star Aziz Ansari, 2012 Oscar Nominee Lucy Walker; Radiohead’s Colin Greenwood; Scott Pilgrim vs. the World director Edgar Wright; snowboard superstar Travis Rice; Thierry Mugler and UNIQLO creative director Nicola Formichetti; Shelly Page of DreamWorks Animation; Barbara London of The Museum of Modern Art; advertising legend David Droga; and many more.

The current list of judges includes:

Action Sports

Advertising

Animation

Captured

Documentary

Experimental

Fashion

Lyrical

Motion Graphics

Music Video

Narrative

Original Series

Remix

 

More:

7 Question Interview with Jeremy Boxer, Vimeo Festival

2012 Vimeo Festival + Awards

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7 Question Interview with Jeremy Boxer, Director of the 2012 Vimeo Festival + Awards

13 December, 2011 by

Vimeo Festival + Awards 2012 Logo

Dec. 13, 2011 — Vimeo, the amiable filmmaker and artist friendly video-hosting service, opened submissions today for the second Vimeo Festival + Awards, “which celebrates the most creative and original videos online and the individuals that make them.”

Beginning today through February 20, 2012, filmmakers can submit their works for consideration in one of 13 different judged categories.

Last year, the judge panel was impressive — David Lynch judged the “experimental” category — and this year the judges will be equally impressive; however, the judges are to be announced sometime in early January.

Submit your work to the 2012 Vimeo Festival + Awards > click here.  Vimeo will award Grants of $5,000 to all of the 13 category winners, as well as awarding a Grant of $25,000 for the Grand Prize winner.

Jeremy Boxer, the Director of the 2012 Vimeo Festival + Awards, spoke with us yesterday. Mr. Boxer explains now, more than ever, is a propitious time to be an artist producing work that’s disseminated on the internet.


 

(1) Why should a filmmaker submit to the 2012 Vimeo Festival + Awards?

The main difference from traditional film festivals is we only accept work that has premiered online — anywhere — not just Vimeo. The majority of film festivals do not accept work that has premiered online.   Our hope is that in the future every festival will accept work that has premiered online.

 

(2) What categories/genres are in competition in the 2012 Vimeo Festival + Awards?

There are 13 categories.  Experimental, which is of course of interest to your readers. Lyrical is a new category this year. The Lyrical category encompasses poetic videos based on a personal world-view. These are personal representations of the way the creator looks at the world. For example, travelogues or time-lapses of a local neighborhood.  Captured is a category not based on filmmaking technique but more on what is being captured by the video, for example, a performance based work or projection art.

The other new categories include Advertising, Action Sports, and Fashion and returning categories from our inaugural Vimeo Festival + Awards are:

  • Narrative
  • Animation
  • Original Series
  • Motion Graphics
  • Music Video
  • Documentary
  • Remix

 

(3) Will David Lynch return to judge the experimental category?

We are announcing a few of the judges now.   The remainder of the judges will be announced January. The judges will be equally as impressive as in 2010.

 

(4) Filmmakers can submit their work using Vimeo via the Internet; are there post-internet distribution/exhibition opportunities in place for the winners? Will there be a time to P-A-R-T-Y?

We will have an Awards ceremony, talks, workshops and a bunch of screenings as part of the festival.   As we are 6 months out, we’re currently in the planning process and are open to ideas.   As we get closer to making that announcement, we’ll reach out to you with all of those specifics.

 

(5) Last year, Chris Beckman won the Experimental category award for his film OOPS.

Shortly thereafter, Beckman’s film was named an official selection of the corporate-industry-driven 2011 Sundance Film Festival and Beckman directed a commercial for Motorola, for whom he made a branded short film directly inspired by OOPS.

What potential professional opportunities are available to a filmmaker submitting to the 2012 Vimeo Festival + Awards?

Our intention is to provide filmmakers with opportunities they would never have had before. We want to provide the gold standard for what you can find online and in so doing provide filmmakers the potential to be seen by a much wider audience which could lead to their big break. Because of Vimeo’s reach, we can put a filmmaker’s work in front of an audience of hundreds of thousands.

After its discovery at the Vimeo Festival + Awards, Chris Beckman’s Oops was chosen as an Official Selection at Sundance Film Festival 2011.  Chris then went on to direct for such brands as Motorola. Sundance reached out to me directly to ask for Chris Beckman’s information for him to be entered into the festival. This was great, as it was the first time I heard Sundance was accepting films that had premiered online.

Another inaugural award winner was Onur Senturk, he had just graduated university when he entered the Vimeo Festival + Awards.  After winning for his film Triangle, due to the Festival’s exposure, Paramount asked him to create the motion design title sequence for Transformers: The Dark Side of the Moon.

The Overall + Documentary winner, Eliot Rausch, has been showered with media attention that landed him a spot on the Carson Daily Show and more commercial work than he ever expected to see in his lifetime.  He’s in post- production on his latest documentary — a film he was able to produce with the grant money he received from winning the 2010 Vimeo Festival + Awards. He has gone on to be offered more work than he knows what to do with.

To give you a sense of what Vimeo can do for filmmakers, here is another very recent example.  A few weeks ago, James Curran, a 28 year old from UK, put up his own homage credit sequence for “Tin Tin.”   The beautiful animated piece came to the attention of Steven Spielberg who hired him for his next film.

You never know who might be watching.

 

(6) If you could send a submitting filmmaker one special message, what would it be?

The goal of Vimeo Festival + Awards is to expose your film to a much wider audience.   We welcome you to submit and we wish you all good luck!

 

(7) Anything else you want to add?

We’re just hoping that more filmmakers will submit so that more of them have a chance at all of these incredible opportunities in existing and new categories added for 2012.

 

More:

—> Submit

2012 Vimeo Festival + Awards

Jeremy Boxer on Vimeo

Submit : : 2012 Vimeo Festival + Awards

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Kickstarter: INCITE Journal of Experimental Media, Issue #3: New Ages

30 October, 2011 by

Q. Why is a ghost such a messy eater?
A. Because he is always a goblin.

Q. Why did the skeleton go discothèque dancing?
A. To see the booooooogy man.

Q. What tops off a ghost’s ice cream sundae?
A. Whipped scream3.

Q. What is R.L. Stine’s favorite drink?
A. Purp GHOUL-AID.

Q. Why didn’t the skeleton see the transgressive, non-narrative experimental film?
A. He didn’t have the guts.

Are you a patron of spooky, obscure things like gouls, goblins, and journals of experimental media? Well, boo-gy down and check out INCITE, a fantastic journal of experiment media. There are five days left to support INCITE, so please consider kicking it: http://kck.st/incite3 — and check out the rare swag.

The forthcoming issue of INCITE, “New Ages,” features over 160 pages of writing, art work, interviews, scholarly articles, more than 20 full color images, and contributions by 25 artists, filmmakers, writers, curators, and scholars from across the U.S. and Canada.  We recently launched a Kickstarter campaign to raise funds for the printing of the issue, which ends in early November.

INCITE #3 aims at addressing the generational shifts and divides in today’s experimental film, video, and new media spheres, utilizing the 2010 International Experimental Media Congress as an opportunity for reflection. In addition to compiling a dossier of idiosyncratic reflections on the Congress, this issue also focuses on the renewed fascination with “New Age” spirituality, philosophy and aesthetics among contemporary media artists. You can view the Table of Contents for Issue #3 and read the Congress Dossier online.

Contributors include: Dominic Angerame, Jaimz Asmundson, Jeremy Bailey, Christina Battle, Thomas Beard, Roger Beebe, Michael Betancourt, Mireille Bourgeois, Jacob Ciocci and Jesse McLean, Clint Enns, Walter Forsberg, Brian L. Frye, Benj Gerdes, Brett Kashmere, Eliza Koch, Kevin McGarry, James Missen, Shana Moulton, Peter Nowogrodzki, Marisa Olson, Andrew James Paterson, Ken Paul Rosenthal, Ekrem Serdar, Leslie Supnet, Tess Takahashi. Cover design by Jacob Ciocci.

The website for the journal is here:
http://incite-online.net

Details about the Kickstarter campaign are here:
http://kck.st/incite3

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Fiorucci Made Me Hardcore (1999) by Mark Leckey

26 September, 2011 by

Fiorucci Made Me Hardcore by Mark Leckey (15:00, video, 1999)

Everybody dance now.

Described by one commentator as the best thing they’d ever seen in a gallery, Fiorucci Made Me Hardcore is an extended paean to the unadulterated bliss of nocturnal abandon. A documentary of sorts, Leckey’s video chronicles the rites of passage experienced by successive generations of British (sub)urban youth.
— Matthew Higgs, ArtForum

video still: Fiorucci Made Me Hardcore by Mark Leckey

More:

Mark Leckey: Wikipedia

Mark Leckey: Rhizome Interview

Turner Prize Winner Mark Leckey

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Loretta (2003) by Jeanne Liotta

15 September, 2011 by

Loretta, jeanneLIOTTA, 2003, 16mm, 4 min, sound by Carlo Altomare

Light and dark on film
Light and dark on screen
A telephone rings, a figure is seen.

Light and dark on film, light and dark on screen
The new and the Light
The new Light from the Dark make Gold.

Light and dark on film
Light and dark on screen
The old sound will ring; the new sound will ring.

Synopsis: An abstract moving rayogram in the form of a woman or an aria. Living-in-time experienced as a high drama, dissolving into the infinite. A dialectical manifestation of phenomena in flux, like any other movie.
www.jeanneliotta.net/loretta.html

More:

Jeanne Liotta’s website
Jeanna Liotta on vimeo

Jeanne Liotta: artist & believer.

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Harry Smith’s Birthday Party by Allen Ginsberg

10 August, 2011 by
“Harry Smith's Birthday Party” by Allen Ginsberg, 1998.

“Harry Smith's Birthday Party” by Allen Ginsberg, 1998, estate stamped 32 1/4" x 24 1/2"

A helpful commenter (thanks!) lead me to “Harry Smith’s Birthday Party,” a two color lithograph and screenprint by Allen Ginsberg.

Edition of 39, available through Gemini GEL.

(Sidenote: DINCA welcomes all comments. Comments are fun and helpful, especially when contributing additional informational. To obviate spam comments, we close dincomments after 60 days. Aight, rip it up.)

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Frames: The Coming Race (2006) by Ben Rivers

28 June, 2011 by

The Coming Race (2006) by Ben RiversThe Coming Race (2006) by Ben RiversThe Coming Race (2006) by Ben RiversThe Coming Race (2006) by Ben RiversThe Coming Race (2006) by Ben RiversThe Coming Race (2006) by Ben RiversThe Coming Race (2006) by Ben Rivers

Ben Rivers, UK / Ireland, 2006, 16mm, 5 min, B/w, Sound

A five minute meditation upon the evolutionary journey of mankind;  the esoteric climb of man en masse; whence, how, and whither.

Frames are presented in sequential order.

More: Ben Rivers’ website.

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