“A super melty, lighting feedback in-browser visual experiment created by Andrew Benson using HTML5/WebGL graphics.”
Try it out here.
dinca.org is now accepting and reviewing submissions for its upcoming iteration of Vision Quest. We’re currently accepting submissions of video, film, experimental media, moving image installation, realtime audiovisual performance, proposals for digitally exhibited commissioned artworks (DECA — more info on this to be posted soon), and more.
Based in Chicago and presented by dinca.org, Vision Quest is a three-day festival celebrating the most innovative contemporary moving image and media art culture from artists worldwide, with salient interest in supporting artworks made using unconventional processes and emerging technologies. Vision Quest is presented in a multimodal and multimedia format, where audiovisual performances are cross-pollinated with time-based media screenings and digitally exhibited commissioned artworks (DECA) to present a showcase of the most essential contemporary media culture.
Thus far, over 100 works have screened at Vision Quest, many of them being national and international premieres, and some of which were made by artists that have exhibited at a variety of festivals, museums, and galleries of note including: MoMA, Tate Modern, the Whitney Biennial, New York Film Festival, International Film Festival Rotterdam, Sundance, MCA Chicago, Threewalls, London Film Festival, Anthology Film Archives, Toronto International Film Festival, Los Angeles Film Forum, Images Festival, Ann Arbor Film Festival, Migrating Forms, Museum of the Moving Image NYC, Eyebeam NYC, Viennale Austria, and MoMA P.S.1.
Submitting is free of charge; if you’re interested in submitting, please complete the submission form below before October 7, 2014.
To better understand what we do and what type of work we’re looking for, we strongly suggest you look at our 2012 program & 2013 program. Also view photos from the 2012 program here and photos from the 2013 program here & here.
Submit here: http://dinca.org/dinca-vision-quest-submission-form
Spheres 1-20, 2013, 20 min, HD video, sound
by Sara Ludy
“In Spheres 1-20, ambiguous forms float in polygonal landscapes created from snippets sourced from Ludy’s wanderings of the internet, personal photos, and samples of computer-aided-drafting motifs. Taking two-dimensional screen captures and image-mapping them onto three-dimensional rotating forms, Ludy creates her Spheres as virtual architectures that refer to an amorphous and psychological space. Between each 1-minute episode of the video, abrupt cuts shift the focus to new structures while an audible synthesized drone changes pitch with each reveal, similar to the shift found between levels in video gameplay.
Ludy’s interest in spatial compositions stems from her lifelong captivation with video games, haunting second life and google warehouse looking for imagery and her professional experience creating immersive environments as a VJ for Los Angeles nightclubs. She pursues a sense of familiarity and the uncanny, pointing to the flexible spectrum of spaces designed for human habitation and the facsimiles of those spaces found online.” – Rob Hult, Klaus Gallery
Thalé by Barry Doupé
2009, 5 min, video, sound
Barry Doupé’s Thalé (2009) experiments with the phenomenology of light and colour through fiber-optic flower arrangements. Doupé’s animations are inspired by the Thale Cress plant, which is commonly used in biological mutation experiments. His rotating electronic floras, which resemble neon lights, sex toys and fireworks, glow in the dark digital void.
– Amy Kazymerchyk, Fabulous Festival of Fringe Film
“Similar Images, Associatively, Transparent GIF”
by Sebastian Schmieg
Netherlands, 2011, 1 min, video, silent
“Search by Image is a series of algorithmic and experimental videos analyzing Google’s image search function of the same name.” (S.S.)
by Chris King
2013, 2 min, video, sound
“A little video using mostly standard wipes to generate both the imagery and audio, light and dark content of the signal directly influence pitch and wave shape, the sound of the video signal was also processed through audio effects controlled live in parallel to the wipes and video effects. I then cut together my favourite parts in to a short work. It was influenced by early video art and visual music experiments.” (CK)