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Posts Tagged ‘conversations at the edge’

The Disappointment: Or, The Force of Credulity (2007), by Brian Springer, at Conversations at the Edge, Chicago, this Thursday, March 17, 2011

16 March, 2011 by

Image: The Disappointment: Or, The Force of Credulity, Brian Springer, 2007

“Brian Springer presents his latest work The Disappointment: Or, The Force of Credulity (2007) at Conversations at the Edge this Thursday, March 17, 2011.

Followed by a Q&A with the artist and Brian Holmes.

‘An unexpected masterpiece.’ — Grady Hendrix, New York Sun

Best known for his scathing news media exposé Spin (1995), Brian Springer’s latest film is a labyrinthine, semi-autobiographical documentary about the search for four disparate treasures buried on his family’s farm in Missouri. These include gold coins left behind by a 16th Century Spanish explorer; silver from the Civil War; the legendary lost diary of anarchist Kate Austin, who lived on the farm in the 1890s; and a mysterious limestone sculpture of dubious origin. Springer interweaves the stories surrounding these treasures with those of his family to spin a tale of spirit possession, Napalm, Indian massacres, early American opera, fanatical obsessions, 200 tons of dirt, and the way mothers try to protect their families from wounds that never heal.

At its core, The Disappointment meditates on the ways history is passed along, altered, and sometimes lost through archeological findings.  The screening will be followed by a discussion with the artist and writer Brian Holmes.”

2007, Brian Springer, USA, Beta SP video, 70 min plus discussion.

BRIAN SPRINGER (b. 1959, Kansas) studied video at the State University of New York at Buffalo and received his MFA in Art from the University of California Santa Barbara. While in Buffalo, Springer worked with a group of artists to create Squeaky Wheel, a nationally respected grassroots media arts center. Springer’s work has been shown at the Center for Art and Media (ZKM) in Germany, the Hammer Museum (Los Angeles), the Whitney Museum (NYC), the Institute for Contemporary Art (London), and the Centre Pompidou (Paris), and has been broadcast nationally in the UK. He currently lives in Ohio, where he works in the public schools through the Ohio Arts Council’s arts residency program.

Co-presented by Video Data Bank, in collaboration with Conversations at the Edge, a program of the Film, Video, New Media and Animation Department at SAIC.

SCREENING DETAILS
Thursday, March 17, 2011, 6:00 PM
Gene Siskel Film Center
164 N. State Street
Chicago, IL
312.846.2600
www.conversationsattheedge.org

More:
The Disappointment on VDB.org

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Animator Martha Colburn in Person, CATE, Chicago, 10 February 2010

10 February, 2011 by

The Wild Triumphs of Martha Colburn
Martha Colburn in person
‎1hr 15min‎‎
a CATE Program‎

Gene Siskel Film Center
164 N. State Street, Chicago, IL
(312) 846-2800
6:00pm

Martha Colburn, a New-York-and-Holland-based filmmaker, will present a program of her films (today) on Thursday, February 10th, 2011, at the Gene Siskel Film Center, as part of SAIC’s Conversations at the Edge series. Martha Colburn will be in person to present and discuss her work.

Visit Martha’s website by clicking here.

The above film, Martha Colburn imagines Diana Wagman: An Electric Literature Single Sentence Animation (2009), is a collaboration between Martha Colburn (image), author Diana Wagman (text), and Nick DeWitt (music). The animation was produced for Single Sentence Animation series curated by Electric Literature.

Martha Colburn

More on The Wild Triumphs of Martha Colburn program (from CATE):

Martha Colburn’s wickedly witty animations are assemblages of stop-motion puppetry, multi-layered glass painting, and all forms of pop cultural detritus. Drawing inspiration from the histories of the American West and more recent narratives of methamphetamine use and environmental catastrophe, Colburn’s outrageous pastiches offer incendiary commentary on our contemporary condition. Writes Jonas Mekas: “Martha Colburn’s films are naked testimonials of our times, and of her generation.” This evening, she will present a range of works from across her oeuvre—including early favorites like Evil of Dracula (1997) and Cosmetic Emergency (2005)—and the Chicago premiere of two brand-new projects, in addition to an in-depth discussion about her process. 1994-2010, Martha Colburn, Netherlands/USA, multiple formats, ca. 75 mins plus discussion.

ABOUT THE FILMMAKER:

MARTHA COLBURN (b. 1972, Pennsylvania) is an artist based in New York. A prolific self-taught filmmaker, she has completed nearly 50 animated shorts since 1994. In addition to her work in film, Colburn recorded and toured as part of the Baltimore-based rock group The Dramatics and in side projects like The Pleasant Livers. She has made music videos and art films for bands such as Deerhoof, Serj Tankian, They Might Be Giants, and the documentary The Devil and Daniel Johnson. Her films, collages, and installations have been exhibited widely, most recently at the Cannes Film Festival in France, the Sundance Film Festival in Park City, Utah, the Centre Pompidou in Paris, the Museum of the Moving Image in Queens, and the Kunstsammlung Jena in Germany.

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Erie (2010) and Selected Shorts Presented by Kevin Jerome Everson, Gene Siskel Film Center, November 11

10 November, 2010 by
Image: Erie, Kevin Jerome Everson, 2010

Image: Erie, Kevin Jerome Everson, 2010

Over the past thirteen years, Kevin Jerome Everson has crafted an exquisite–and prodigious–body of work on the working-class culture of African-Americans and people of African descent.  Combining documentary and fiction, Everson’s nearly 70 shorts and four features center on everyday tasks and gestures to unearth and illuminate the ordinary grace of daily life.  This evening, in conjunction with the Video Data Bank’s release of the 24-title DVD box set, Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson, the artist presents his acclaimed feature Erie (2010) along with a handful of new shorts.

Unspooling in a series of hand-held, single-take shots filmed in the urban centers around the great lake, Erie captures the conversation of former General Motors workers as the plant is about to close; hospital employees carefully sorting and sterilizing surgical implements; and young performers krumping and rehearsing musical theater side-by-side, the camera moving between them in a kind of mash-up-en-scene and microcosm of the rich and multifaceted operation of the film as a whole.  Co-presented by the Video Data BankSAIC’s Department of Film, Video, New Media & Animation, and the Gene Siskel Film Center. Kevin Jerome Everson, 2010, USA, HDCAM video, ca. 90 min, plus discussion. (Amy Beste)

SCREENING DETAILS
Thursday, November 11, 2010, 6:00 PM
Gene Siskel Film Center
164 N. State Street
Chicago, IL
312.846.2600
www.conversationsattheedge.org

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Frame: Joost Rekveld's #11, Marey Moiré (1999)

30 August, 2010 by
#11, Marey <->Moiré, 1999, 35mm scope, color, sound, 21 min

#11, Marey <->Moiré, 1999, 35mm scope, color, sound, 21 min

Synopsis (CATE and JR) : In the award-winning #11, Marey <->Moiré , Rekveld creates stroboscopic patterns from filaments of intersecting lights.

#11 premiered at the Rotterdam International Film Festival in 2000. It won the Grand Prix for non-narrative animation at the Holland Animation festival in Utrecht in 2000. Also I’ve been told it was the first ever Dutch film to be shown at Sundance (also in 2000).” — Joost Rekveld

Via Conversations at the Edge

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Cory Arcangel | Video Ravings

6 August, 2009 by

Brooklyn-based Cory Arcangel is a self-described personal computer lover and an internet lover. Best know for his video cartridge hackings, Cory’s work has shown at the Whitney Museum, New York; the Museum of Modern Art, New York; Space1026, Philadelphia; the Migros Museum, Zurich; Team Gallery, New York; and Thaddaeus Ropac Gallery, Paris.  Below are three more Cory Arcangel videos:

Super Mario Movie Part II
Adult Contemporary | T Pain
Arnold Schoenberg, Op. 11 – II

Video Ravings Synopsis: Created as an installation, Video Ravingz is a hacked version of Super Mario Bros. 2 where the user wins the game simply by inserting the cartridge. With rave-style graphics and music, there’s an air of celebration about this work because everyone’s a winner.

Do you recognize the yacht rock song?  Is it Toto? 10cc?  I can’t remember.

Cory Arcangel – Super Mario Movie Part II

Synopsis: Created as an installation, Super Mario Movie is a 15 minute long movie made on a Super Mario Brothers Cartridge.

As a video game grows old its content and internal logic deteriorate.
For a character caught in this breakdown problems affect every area of life.

Adult Contemporary | T PAIN

Synopsis: T PAIN + rainbow roll gradients.

Arnold Schoenberg, op. 11 – II

Synopsis: Mutliple cats play piano in Cory Arcangel’s Arnold Schoenberg, op. 11 – II.

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Visit the Cory Arcangel web portal

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