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	<title>DINCA &#187; films critics list of best experimental films</title>
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		<title>NYFF 2010 Views from the Avant-Garde Film Schedule</title>
		<link>http://dinca.org/nyff-2010-views-from-the-avant-garde-film-schedule/6038.htm</link>
		<comments>http://dinca.org/nyff-2010-views-from-the-avant-garde-film-schedule/6038.htm#comments</comments>
		<pubDate>Mon, 23 Aug 2010 18:00:16 +0000</pubDate>
		<dc:creator>Andrew Rosinski</dc:creator>
				<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[documentary / ethnography]]></category>
		<category><![CDATA[experimental film]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[video art]]></category>
		<category><![CDATA[2010 New York Film Festival avant-garde film schedule]]></category>
		<category><![CDATA[2010 NYFF schedule]]></category>
		<category><![CDATA[April Simmons]]></category>
		<category><![CDATA[Ben Russell]]></category>
		<category><![CDATA[david gatten]]></category>
		<category><![CDATA[Deborah Stratman]]></category>
		<category><![CDATA[fern silva]]></category>
		<category><![CDATA[films critics list of best experimental films]]></category>
		<category><![CDATA[Janie Geiser]]></category>
		<category><![CDATA[phil solomon]]></category>
		<category><![CDATA[rebecca meyer]]></category>
		<category><![CDATA[stephanie barber]]></category>

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		<description><![CDATA[30 SEPTEMBER–3 OCTOBER 2010 2010 is yet another fantastic year for avant-garde film; yet another fantastic New York Film Festival: Views from the Avant-Garde film program. With this post, I will try my best to provide an organized, comprehensive schedule for the 2010 NYFF: Views from the Avant-Garde. Straight verbatim from the 2010 NYFF 2010 [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p><a href="http://dinca.org/wp-content/uploads/2010/08/NYFF-2010-film-festival-logo.jpg"><img class="alignnone size-large wp-image-6042" title="NYFF-2010-film-festival-logo" src="http://dinca.org/wp-content/uploads/2010/08/NYFF-2010-film-festival-logo-470x239.jpg" alt="NYFF-2010-film-festival-logo" width="470" height="239" /></a></p>
<h4>30 SEPTEMBER–3 OCTOBER 2010</h4>
<p>2010 is yet another fantastic year for avant-garde film; yet another fantastic New York Film Festival: Views from the Avant-Garde film program. With this post, I will try my best to provide an organized, comprehensive schedule for the 2010 NYFF: Views from the Avant-Garde.</p>
<p>Straight verbatim from the <a href="http://www.filmlinc.com/nyff/ag/index.html" target="_blank">2010 NYFF 2010 Views from the Avant-Garde Website</a>:</p>
<blockquote><p>Curated by Mark McElhatten and Gavin Smith. For its 14th year, Views offers an expanded edition, presenting four nights of New York and world premieres from the frontiers of innovative moving image making. Highlights include Robert Beavers’s <em>The Supplian</em>t, <a href="http://cinema-scope.com/wordpress/web-archive-2/issue-41/spotlight-ruhr-james-benning-germany/">James Benning</a>’s <em>Ruhr</em>, <a href="http://en.wikipedia.org/wiki/Nathaniel_Dorsky">Nathaniel Dorsky</a>’s <em>Pastourelle</em>, a restoration of Manoel de Oliveira’s <em>Rite of Spring</em>, and <a href="http://philsolomon.com">Phil Solomon</a>’s three-screen <em>American Falls</em>. Also expect new work by <a href="http://en.wikipedia.org/wiki/Thom_Andersen">Thom Andersen</a>, Ute Aurand, <a href="http://www.stephaniebarber.com/" target="_blank">Stephanie Barber</a>, Mati Diop, <a href="http://davidgattenfilm.com">David Gatten</a>, <a href="http://www.janiegeiser.com/">Janie Geiser</a>, Lewis Klahr, Dani Leventhal, <a href="http://www.jeanneliotta.net/">Jeanne Liotta</a>, <a href="http://www.rodeofilmco.com/" target="_blank">Matt McCormick</a>, <a href="http://www.tomonarinishikawa.com/film.htm">Tomonari Nishikawa</a>, Michael Robinson, <a href="http://fernsilva.com/">Fern Silva</a>, <a href="http://pythagorasfilm.com" target="_blank">Deborah Stratman</a>, <a href="http://en.wikipedia.org/wiki/Peter_Tscherkassky">Peter Tscherkassky</a> and many others, plus nightly special Furman Gallery projection performances by Paul Clipson and Bruce McClure.</p></blockquote>
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<h4>THURSDAY SEPT 30</h4>
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<p><strong><span style="color: #0000ff;">6:30pm</span></strong> in the Furman Gallery<br />
<strong><span style="text-decoration: underline;"> Pierre Clémenti: Inédite Bobines</span></strong><br />
“lost” reels from the 16mm films of actor-director Pierre Clémenti<br />
France, c. 1965-75; 104m.</p>
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<h4>FRIDAY OCT 1</h4>
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<p><strong><span style="color: #0000ff;">Noon</span></strong><br />
<strong><span style="text-decoration: underline;">JEAN-MARIE STRAUB</span></strong><br />
O somma luce Jean-Marie Straub, France, 2009, 18m.<br />
Corneille–Brecht Jean-Marie Straub &amp; Cornelia Geise, France, 2009, 80m.</p>
<p><strong><span style="color: #0000ff;">9:00pm</span></strong><br />
<strong><span style="text-decoration: underline;">JAMES BENNING</span></strong><br />
Ruhr Germany/U.S., 2009, 120m.</p>
<p><strong><span style="color: #0000ff;">2:00pm</span></strong><br />
<strong><span style="text-decoration: underline;">HELGA FANDERL</span></strong><br />
Super 8 to 16mm blow-ups</p>
<p><strong><span style="text-decoration: underline;">//////// I ////////</span></strong><br />
Birds at Checkpoint Charlie (Vögel am Checkpoint Charlie)<br />
East Berlin (Ostberlin)<br />
Tunnel<br />
From the Empire State Building (Aus dem Empire State Building)<br />
Tortelloni<br />
Wild Waters (Wilde Wasser)<br />
Polar Bear (Eisbär)<br />
18m.</p>
<p><strong><span style="text-decoration: underline;">//////// II ////////</span></strong><br />
Porte St. Denis<br />
Columbus Circle<br />
Rue Labat Mourning (Rue Labat in Trauer)<br />
Mirrored Café (Spiegelcafé)<br />
Hut (Hütte)<br />
Tropical Garden in Spring Time (Jardin tropical im Frühling)<br />
15m.</p>
<p><strong><span style="text-decoration: underline;">//////// III ////////</span></strong><br />
Portrait<br />
Tea Time (Teetrinken)<br />
Red Curtain (Roter Vorhang)<br />
c. 7m.</p>
<p><strong><span style="text-decoration: underline;">//////// IV ////////</span></strong><br />
Dancing Water II (Wassertanz II)<br />
For M. (Für M.)<br />
Butterflies (Schmetterlinge)<br />
After the Fire II (Nach dem Feuer II)<br />
Sculpture and Water (Skulptur und Wasser)<br />
15m.</p>
<p><span style="text-decoration: underline;"><strong>//////// V ////////</strong></span><br />
Mist II (Nebel II)<br />
Winklerweiher<br />
Dancing Water I (Wassertanz I)<br />
Mist I (Nebel I)<br />
Künettegraben short (Künettegraben kurz)<br />
Ingolstadt at Night (Ingolstadt nachts)<br />
Oranges, Moon and Sun (Orangen, Mond und Sonne)<br />
Cobwebs and Fishes (Spinnweben und Fische)<br />
13m.</p>
<p><strong><span style="color: #0000ff;">3.30pm</span></strong></p>
<p><a href="http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-jeff-keen"><strong>HISTORY IS HOMEMADE AT NIGHT: THE CRAZY, BEAUTIFUL WORLD OF JEFF KEEN </strong></a></p>
<p><a href="http://dinca.org/wp-content/uploads/2010/08/Jeff-Keen1.jpg"><img class="alignleft size-thumbnail wp-image-6428" title="Jeff-Keen1" src="http://dinca.org/wp-content/uploads/2010/08/Jeff-Keen1-100x100.jpg" alt="" width="100" height="100" /></a></p>
<p><strong>Marvo Movie</strong>, U.K., 1967, 5m.<br />
<strong> Cineblatz</strong>, U.K., 1967, 3m.<br />
<strong> Meatdaze</strong>, U.K., 1968, 10m.<br />
<strong> White Lite</strong>, U.K., 1968, 3m.<br />
<strong> Wail U.K.</strong>, 1961, 5m.<br />
<strong> Rayday Film </strong>U.K., 1968-1970/1976, 13m.<br />
<strong> White Dust</strong> U.K., 1970-72, 33m.</p>
<div id="attachment_6435" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/phil-solomon-American-Falls-shadows-of-forgotten-ancestors.png"><img class="size-large wp-image-6435" title="phil-solomon-American-Falls-shadows-of-forgotten-ancestors" src="http://dinca.org/wp-content/uploads/2010/08/phil-solomon-American-Falls-shadows-of-forgotten-ancestors-470x313.png" alt="phil solomon, American Falls USA, 2010, 55m." width="470" height="313" /></a><p class="wp-caption-text">phil solomon, American Falls USA, 2010, 55m.</p></div>
<p><strong><span style="color: #0000ff;">7:30pm</span></strong><br />
<strong><span style="text-decoration: underline;"> PHIL SOLOMON (<span style="font-weight: normal;"><a href="http://www.philsolomon.com/">philsolomon.com</a></span>)</span></strong><br />
<strong> American Falls</strong> U.S., 2010, 55m.<br />
<strong> What’s Out Tonight Is Lost</strong> U.S., 1983, 8m.; new print – preservation by the Academy Film Archive</p>
<p><strong><span style="color: #0000ff;">5.30pm </span></strong><br />
<strong><span style="text-decoration: underline;"> JENNIFER MONTGOMERY</span></strong><br />
<strong> The Agonal Phase</strong> U.S., 2010, 42m.<br />
<strong> Transitional Objects</strong> U.S., 2000, 19m.</p>
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<h4>SATURDAY OCT 2</h4>
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<div class="wp-caption alignnone" style="width: 480px"><a href="http://www.filmlinc.com/nyff/2010/wp-content/uploads/2010/09/Photofinish-Faces2.jpg"><img title="Photofinish-Faces2.jpg" src="http://www.filmlinc.com/nyff/2010/wp-content/uploads/2010/09/Photofinish-Faces2.jpg" alt="Photofinish Figures, Paolo Gioli, Italy, 2009, 9.12m., 16mm, b&amp;w, silent" width="470px" /></a><p class="wp-caption-text">Photofinish Figures, Paolo Gioli, Italy, 2009, 9.12m., 16mm, b&amp;w, silent</p></div>
<p><strong><span style="color: #0000ff;">12 noon</span></strong><br />
<strong><span style="text-decoration: underline;">MIRROR OF SHADOW AND CINDERS<br />
</span></strong><strong> Photofinish Figures (Il finish delle figure)</strong> Paolo Gioli, Italy, 2009, 9.12m.<br />
<strong> A Thousand Julys </strong>Lewis Klahr, USA, 2010, 6.30m.<br />
<strong> Marie Karen Yasinsky</strong>, USA, 2010, 5m.<br />
<strong> Dissonant Manon de Boer</strong>, Netherlands/Belgium, 11m.<br />
<strong> Ape of Nature</strong>, Peggy Ahwesh, USA, 2010, 24m. double-screen version<br />
<strong> The Soul of Things Dominck Angerame</strong>, USA, 2010, 15m.<br />
<strong> Destination Final</strong> Philip Widmann, Germany, 2010 9m.<br />
<strong> Valleys of Fear</strong> Erin Espelie, USA, 2010, 22m.<br />
<strong> SHU</strong> (Blue Hour Lullaby) Philipp Lachenmann, Germany, 2008, 12m.</p>
<div id="attachment_6430" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/Crosswalk-film-still-jeanne-liotta.jpg"><img class="size-large wp-image-6430" title="Crosswalk-film-still-jeanne-liotta" src="http://dinca.org/wp-content/uploads/2010/08/Crosswalk-film-still-jeanne-liotta-470x313.jpg" alt="" width="470" height="313" /></a><p class="wp-caption-text">Jeanne Liotta U.S., 2010, 19m.; 35mm, b&amp;w/color, sound</p></div>
<p><strong><span style="color: #0000ff;">2:30pm</span></strong></p>
<p><strong><span style="text-decoration: underline;"> STATION TO STATION</span></strong><br />
<strong> Crosswalk</strong> <a href="http://jeanneliotta.com">Jeanne Liotta</a>, USA, 2010, 25m.<br />
<strong> Servants of Mercy </strong>Fern Silva, Portugal/USA, 2010, 14m.<br />
<strong> Rite of Spring</strong> (restoration) Manoel de Oliveira, Portugal, 1963, 99m<br />
<em> Print courtesy of Cinemateca Portuguesa-Museu do Cinema,<br />
presented in cooperation with the Museum of Modern Art.</em></p>
<div id="attachment_6431" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/Trypps-7-badlands-ben-russell1.jpg"><img class="size-large wp-image-6431" title="Trypps-7-badlands-ben-russell1" src="http://dinca.org/wp-content/uploads/2010/08/Trypps-7-badlands-ben-russell1-470x264.jpg" alt="Trypps #7 (Badlands) Ben Russell USA, 2010, 9.30m., 35mm, color, sound  " width="470" height="264" /></a><p class="wp-caption-text">Trypps #7 (Badlands), Ben Russell, USA, 2010, 9.30m., 35mm, color, sound  </p></div>
<p><strong><span style="color: #0000ff;">5:30pm</span></strong></p>
<p><strong><span style="text-decoration: underline;">VISIBILITY UNKNOWN</span></strong><br />
<strong> The Flight of Tulugaq </strong>(O Voo de Tulugaq) André Guerreiro Lopes, Brazil, 8m.<br />
<strong> New Year Sun</strong> Jonathan Schwartz, USA, 2010, 3m.<br />
<strong> Trypps #7 (Badlands) </strong><a href="http://dimeshow.com">Ben Russell</a>, USA, 2010, 9.30m.<br />
<strong> Burning Bush</strong> Vincent Grenier, USA, 2010, 9.5m<br />
<strong> Materia Obscura</strong> Jürgen Reble, Germany 11.29m.<br />
<strong> a loft</strong> Ken Jacobs, USA, 2010, 16m.<br />
<strong> Mamori</strong> Karl Lemieux, Canada, 2010, 7.44m.<br />
<strong> Union</strong> Paul Clipson, USA, 2010, 10m.<br />
<strong> Parties visible et invisible d’un ensemble sous tension</strong> Emmanuel Lefrant, France, 2010, 7m.<br />
<strong> Drifter</strong> Timoleon Wilkins, USA, 1996-2010, 26m.</p>
<div id="attachment_6433" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/laida-lertxundi-cry-when-it-happens.png"><img class="size-large wp-image-6433" title="laida-lertxundi-cry-when-it-happens" src="http://dinca.org/wp-content/uploads/2010/08/laida-lertxundi-cry-when-it-happens-470x352.png" alt="Cry when it happens, Laida Lertxundi, U.S., 2010, 14m., 16mm, color, sound" width="470" height="352" /></a><p class="wp-caption-text">Cry when it happens, Laida Lertxundi, U.S., 2010, 14m., 16mm, color, sound</p></div>
<p><strong><span style="color: #0000ff;">8:15pm</span></strong><br />
<strong><span style="text-decoration: underline;"> SINCE YOU WERE HERE …</span></strong><br />
<strong> Dust Studies</strong> Michael Gitlin, USA, 2010, 9m.<br />
<strong> Washes </strong>Norbert Shieh, USA, 2010, 8.40m.<br />
<strong> Get Out of the Car </strong>Thom Andersen, USA, 2010, 35m.<br />
<strong> Obscurando el Apartiemento</strong> Rosario Sotelo, USA, 2010, 3m.<br />
<strong> Cry When it Happens </strong>(Llora cuando te pase) <a href="http://www.laidalertxundi.net/">Laida Lertxundi</a>, USA, 2010, 17m.<br />
<strong> Night Shift </strong>Gretchen Skogersen, USA, 2010, 5m.<br />
<strong> Future So Bright</strong> Matt McCormick, USA, 2010, 30m.</p>
<p><strong><span style="color: #0000ff;">10:30pm</span></strong> in the Furman Gallery<br />
<strong><span style="text-decoration: underline;">NIGHT GALLERY—TURN ON THE HIGH BEAMS I</span><br />
two projection performances</strong><br />
<strong> Untitled Galaxy </strong>Paul Clipson &amp; Jefre Cantu-Ledesma, 2010, 30m.<br />
<strong> FIST I &#8211; IMPROPER FRICTIONS</strong> Bruce McClure, 2010, approx 30m</p>
<h4>||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||</h4>
<h4>Sunday October 3</h4>
<h4>||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||</h4>
<div id="attachment_6437" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/blue-mantle-rebecca-myers.jpg"><img class="size-large wp-image-6437" title="blue-mantle-rebecca-myers" src="http://dinca.org/wp-content/uploads/2010/08/blue-mantle-rebecca-myers-470x342.jpg" alt="blue mantle, Rebecca Meyers USA, 2010, 34m., 16mm, color, sound" width="470" height="342" /></a><p class="wp-caption-text">blue mantle, Rebecca Meyer, USA, 2010, 34m., 16mm, color, sound</p></div>
<p><strong><span style="color: #0000ff;">12 noon</span></strong><br />
<strong><span style="text-decoration: underline;"> SEA SCROLLS</span></strong><br />
<strong> Atlantis</strong> Pieter Geenen, China/Netherlands, 2008, 11.18m.<br />
<strong> Dining Cars </strong>Arianne Olthar, Netherlands, 2009, 15.5m.<br />
<strong> Sea Series #7: Naufrage aux îles de Madeleine </strong>John Price, Canada, 2010, 3.39m.<br />
<strong> Atlantiques</strong> Mati Diop, Senegal/France, 2009, 11m.<br />
<strong> Distance </strong>Julie Murray, USA, 2010, 12m.<br />
<strong> Travelogue </strong>Vincent Grenier, USA, 2010, 8.8m.<br />
<strong> Shrimp Boat Log</strong> David Gatten, USA, 2010, 6m.<br />
<strong> Blue Mantle</strong> Rebecca Meyer, USA, 2010, 34m.</p>
<div id="attachment_6436" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/deborah-stratman-rays-birds.png"><img class="size-large wp-image-6436" title="deborah-stratman-rays-birds" src="http://dinca.org/wp-content/uploads/2010/08/deborah-stratman-rays-birds-470x352.png" alt="Deborah Stratman, USA, 2010, 7m., 16mm, color, sound" width="470" height="352" /></a><p class="wp-caption-text">Deborah Stratman, USA, 2010, 7m., 16mm, color, sound</p></div>
<p><strong><span style="color: #0000ff;"><span style="text-decoration: underline;">2:30pm</span></span></strong></p>
<p><strong><span style="text-decoration: underline;"> LANDING ON THE EDGE</span> (</strong><a href="http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-sunday-october-3/views-from-the-avant-garde-landing-on-the-edge" target="_blank">view website</a><strong>)</strong><br />
<strong> Place for Landing</strong> Shambavi Kaul, USA, 2010, 6m.<br />
<strong> Hearts are Trump Again</strong> Dani Leventhal, USA, 2010, 14m.<br />
<strong> Ray’s Birds</strong> <a href="http://pythagorasfilm.com">Deborah Stratman</a>, USA, 2010, 7m.<br />
<strong> In the Absence of Light, Darkness Prevails</strong> <a href="http://fernsilva.com">Fern Silva</a>, Brazil/USA, 2010, 13m.<br />
<strong> Slave Ship </strong>T. Marie, USA, 2010, 4m.<br />
<strong> Someone Should Be Happy Here</strong> April Simmons, USA, 2010, 5m.<br />
<strong> THE HUNCH THAT CAUSED THE WINNING STREAK AND FOUGHT THE DOLDRUMS MIGHTILY </strong>Stephanie Barber, USA, 2010, 1.53m., 4.5m.<br />
<strong> Razor’s Edge </strong>Stephanie Barber and Xav LePlae, USA, 2010, 44m.</p>
<div id="attachment_6438" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/stephanie-barber-bust-chance-film-still.jpg"><img class="size-large wp-image-6438" title="stephanie-barber-bust-chance-film-still" src="http://dinca.org/wp-content/uploads/2010/08/stephanie-barber-bust-chance-film-still-470x313.jpg" alt="Bust Chance, Stephanie Barber USA, 2010, 7m.; DV, color, sound" width="470" height="313" /></a><p class="wp-caption-text">Bust Chance, Stephanie Barber, USA, 2010, 7m.; DV, color, sound</p></div>
<p><strong><span style="color: #0000ff;"><span style="text-decoration: underline;">4:30pm</span></span></strong><br />
<strong><span style="text-decoration: underline;"> SÉANCE (<span style="font-weight: normal;"><a href="http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-sunday-october-3/views-from-the-avant-garde-seance">view website</a></span>)</span></strong><br />
<strong> bust chance </strong>Stephanie Barber, USA, 2010, 7m.<br />
<strong> Love Rose </strong>Bobby Abate, USA, 2010, 13.7m.<br />
<strong> Kindless Villain</strong> Janie Geiser, USA, 2010, 5m.<br />
<strong> So Sure of Nowhere Buying Times to Come </strong>David Gatten, USA, 2010, 9m.<br />
<strong> April Snow </strong>Lewis Klahr, USA, 2010, 10m.<br />
<strong> Facts Told at Retail (after Henry James) </strong>Erin Espelie, USA, 2010, 7m.<br />
<strong> Ghost Algebra </strong>Janie Geiser, USA, 2009 7.5m.<br />
<strong> Tokyo–Ebisu</strong> Tomanari Nishikawa, Japan, 2010, 5m.<br />
<strong> Possessed </strong>Fred Worden, USA, 2010, 8m.<br />
<strong> These Hammers Don’t Hurt Us</strong> Michael Robinson, USA, 2010, 13m.</p>
<div id="attachment_6434" class="wp-caption alignnone" style="width: 442px"><a href="http://dinca.org/wp-content/uploads/2010/08/crescent-film-paul-clipson-jefre-cantu.png"><img class="size-full wp-image-6434" title="crescent-film-paul-clipson-jefre-cantu" src="http://dinca.org/wp-content/uploads/2010/08/crescent-film-paul-clipson-jefre-cantu.png" alt="Paul Clipson &amp; Jefre Cantu-Ledesma 2010, 30m. Super 8, color, sound" width="432" height="324" /></a><p class="wp-caption-text">Crescent, Paul Clipson &amp; Jefre Cantu-Ledesma, 2010, 30m. Super 8, color, sound</p></div>
<p><strong><span style="color: #0000ff;"><span style="text-decoration: underline;">10:30pm</span></span></strong> in the Furman Gallery<br />
<strong><span style="text-decoration: underline;"> NIGHT GALLERY—TURN ON THE HIGH BEAMS</span></strong><br />
<em> two projection performances</em><br />
<strong> Crescent </strong>Paul Clipson &amp; Jefre Cantu-Ledesma, 2010, 30m.<br />
<strong> FIST II &#8211; INTO A SOTSP</strong>OT Bruce McClure, 2010, approx 30m.</p>
<div id="attachment_6440" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/peter-herwitz-Gesturings-vertical-strip.jpg"><img class="size-large wp-image-6440" title="peter-herwitz-Gesturings-vertical-strip" src="http://dinca.org/wp-content/uploads/2010/08/peter-herwitz-Gesturings-vertical-strip-470x213.jpg" alt="Gestures, Peter Herwitz USA, 2010, 7m., 16mm, 18fps, color, silent" width="470" height="213" /></a><p class="wp-caption-text">Gestures, Peter Herwitz, USA, 2010, 7m., 16mm, 18fps, color, silent</p></div>
<p><strong><span style="color: #0000ff;"><span style="text-decoration: underline;">6.30pm</span></span></strong><br />
<strong><span style="text-decoration: underline;"> SONG CYCLE (<a href="http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-sunday-october-3/views-from-the-avant-garde-song-cycle">site</a>)</span></strong><br />
<strong> Pastourelle</strong> Nathaniel Dorsky, USA, 2010, 16.5m.<br />
<strong> Ouverture</strong> Christopher Becks, France, 2010, 5m.<br />
<strong> The Suppliant</strong> Robert Beavers, USA/Switzerland, 2010, 5m.<br />
<strong> Hanging upside down in the branches </strong>Ute Aurand, Germany, 2009, 15m.<br />
<strong> Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST</strong> David Gatten, USA, 2010, 20m.<br />
<strong> In a Year with 13 Deaths </strong>Jonathan Schwartz, USA, 2008, 3m.<br />
<strong> One Eve Heller, </strong>USA/Austria, 2010, 4m.<br />
<strong> Shibiyu-Tokyo</strong> Tomanari Nishikawa, Japan, 2010, 10m.<br />
<strong> Beneath Your Skin of Deep Hollow</strong> Malena Szlam, Chile/Canada, 2010, 3m.<br />
<strong> Gesturings</strong> Peter Herwitz, USA, 2010, 5m.<br />
<strong> Day Dream </strong>Jim Jennings, USA, 2010, 7m.</p>
<div id="attachment_6439" class="wp-caption alignnone" style="width: 480px"><a href="http://dinca.org/wp-content/uploads/2010/08/deborah-stratman-Those-Blaezing-Starrs-4.png"><img class="size-large wp-image-6439" title="deborah-stratman-Those-Blaezing-Starrs-4" src="http://dinca.org/wp-content/uploads/2010/08/deborah-stratman-Those-Blaezing-Starrs-4-470x352.png" alt="Those Blaezing Starrs, Deborah Stratman, USA, 2010, 14.4m., 16mm, b&amp;w, sound" width="470" height="352" /></a><p class="wp-caption-text">Those Blaezing Starrs, Deborah Stratman, USA, 2010, 14.4m., 16mm, b&amp;w, sound</p></div>
<p><strong><span style="color: #0000ff;">8:30</span></strong><br />
<strong><span style="text-decoration: underline;"> FATAL ATTRACTIONS: AN INTRODUCTION TO BLACK AND WHITE MAGIC (<span style="font-weight: normal;"><a href="http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-sunday-october-3/views-fatal-attractions">site</a></span>)</span></strong><br />
<strong> These Blaezing Starrs </strong>Deborah Stratman, USA, 2010, 14.4m.<br />
<strong> Tranquility</strong> Sigfried A. Fruhauf, Austria, 2010, 6.30m.<br />
<strong> To Another </strong>Josh Mabe, USA, 2010, 48sec.<br />
<strong> Sugar Slim Says </strong>Lewis Klahr, USA, 2010, 7m.<br />
<strong> Sorry </strong>Luther Price, USA, 2010, 14m.<br />
<strong> Shutter </strong>Alexi Mani, Canada, 2009, 7m.<br />
<strong> Floor of the World</strong> Janie Geiser, USA, 2010, 8m.<br />
<strong> Toads </strong>Milena Gierke, Germany, 1997/2008, 6m.<br />
<strong> Pigs</strong> Pavel Wojtasik, U.S., 2010, 7.45m.<br />
<strong> Shadow Cut</strong> Martin Arnold, Austria, 2010, 4m.<br />
<strong> Coming Attractions </strong>Peter Tscherkassky, Austria, 2010, 23.40m.<br />
Total running time: 105.5m</p>
<p><strong>More:</strong></p>
<blockquote><p><a href="http://www.filmlinc.com/nyff/ag/index.html" target="_self">2010 NYFF Views from the Avant-Garde website</a></p></blockquote>
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		<title>Experimental Film Achievements of the 21st Century: Avant-Garde Poll: Film Society of the Lincoln Center</title>
		<link>http://dinca.org/list-of-best-experimental-film-and-filmmakers-21st-century-avant-garde-poll-film-society-of-lincoln-center/4824.htm</link>
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		<pubDate>Mon, 24 May 2010 04:03:12 +0000</pubDate>
		<dc:creator>Andrew Rosinski</dc:creator>
				<category><![CDATA[avant-garde]]></category>
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		<description><![CDATA[January 2010: The Film Society of the Lincoln Film Center conducts an avant-garde film and video poll: FSLFC&#8217;s Preface: In the past decade, the making and showing of experimental film worldwide has gone from strength to strength, so much so that it can be categorically said that avant-garde cinema is as vital now as it [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p><a style="text-decoration: none;" href="http://dinca.org/wp-content/uploads/2010/05/peter-hutton-at-sea-michigan-card.png"><img class="aligncenter size-large wp-image-4827" title="peter-hutton-at-sea-michigan-card" src="http://dinca.org/wp-content/uploads/2010/05/peter-hutton-at-sea-michigan-card-475x375.png" alt="" width="475" height="375" /></a></p>
<p>January 2010: The <a href="http://www.filmlinc.com/" target="_blank">Film Society of the Lincoln Film Center</a> conducts an <a href="http://www.filmlinc.com/fcm/mj10/agpoll.htm" target="_blank">avant-garde film and video poll</a>:</p>
<blockquote><p><strong>FSLFC&#8217;s Preface:</strong> In the past decade, the making and showing of experimental film worldwide has gone from strength to strength, so much so that it can be categorically said that avant-garde cinema is as vital now as it has ever been. This addendum to our Jan/Feb end-of-decade wrap-up serves to acknowledge just some of the experimental film achievements of the 21st century’s first 10 years. The rankings on the three lists below were obtained through the tabulation of the number of mentions a given film or filmmaker received in poll responses from a 46-strong group of critics, programmers, and teachers.</p>
<p><strong>Poll participants:</strong> Acquarello, Steve Anker, Thomas Beard, Ariella Ben-Dov, Amy Beste, Robin Blaetz, Nicole Brenez, Autumn Campbell, Fred Camper, Abigail Child, David Dinnell, Patrick Friel, David Gatten, Jacqueline Goss, Ed Halter, Alexander Horwath, Kristin M. Jones, Chris Kennedy, Nellie Killian, Lewis Klahr, Irina Leimbacher, Scott MacDonald, Matt McCormick, Mark McElhatten, Kevin McGarry, Don McMahon, Olaf Möller, Oona Mosna, Pablo de Ocampo, Susan Oxtoby, Andréa Picard, Tony Pipolo, Steve Polta, J.R. Rigsby, Jeremy Rossen, Lynne Sachs, Keith Sanborn, Michael Sicinski, Josh Siegel, P. Adams Sitney, Gavin Smith, Phil Solomon, Scott Stark, Chris Stults, Jim Supanick, Genevieve Yue</p></blockquote>
<h4>THE RESULTS</h4>
<h4>
<p><div id="attachment_5040" class="wp-caption aligncenter" style="width: 389px"><a href="http://dinca.org/wp-content/uploads/2010/05/peter-hutton-at-sea-2007.jpg"><img class="size-large wp-image-5040 " title="peter-hutton-at-sea-2007" src="http://dinca.org/wp-content/uploads/2010/05/peter-hutton-at-sea-2007-474x348.jpg" alt="" width="379" height="278" /></a><p class="wp-caption-text">At Sea (2007) by Peter Hutton</p></div></h4>
<h4>BEST AVANT-GARDE FILMS &amp; VIDEO 2000-2009</h4>
<p><span style="color: #000000;"><span style="color: #00ff00;">1.</span> <strong>At Sea</strong> Peter Hutton, U.S., 2007 (<span style="color: #00ff00;">18</span>)<br />
<span style="color: #00ff00;">2.</span></span> <span style="color: #000000;"> <strong> Pitcher of Colored Light</strong> Robert Beavers, U.S./Switz., 2007  (<span style="color: #00ff00;">16</span>)<br />
<span style="color: #00ff00;">3.</span></span> <span style="color: #000000;"> <strong> (  )</strong> Morgan Fisher, U.S., 2003 (<span style="color: #00ff00;">15</span>)<br />
<span style="color: #00ff00;">tie</span><strong> </strong></span> <span style="color: #000000;"><strong>Ah Liberty!</strong> Ben Rivers, U.K., 2008 (<span style="color: #00ff00;">15</span>)<br />
</span><strong> </strong><span style="color: #00ff00;">tie</span> <span style="color: #000000;"><strong>Observando el Cielo</strong> Jeanne Liotta, U.S., 2007 (<span style="color: #00ff00;">15</span>)<br />
</span><strong> </strong><span style="color: #00ff00;">tie</span> <span style="color: #000000;"><strong>Star Spangled to Death</strong> Ken Jacobs, U.S., 1956-2004 	(<span style="color: #00ff00;">15</span>)<br />
<span style="color: #00ff00;">7.</span></span><strong> </strong> <span style="color: #000000;"> <strong> Ten Skies</strong> James Benning, U.S., 2004 (<span style="color: #00ff00;">14</span>)<br />
<span style="color: #00ff00;">8.</span> </span> <span style="color: #000000;"><strong>The Fourth Watch</strong> Janie Geiser, U.S., 2000 (<span style="color: #00ff00;">13</span>)<br />
</span><strong> </strong><span style="color: #000000;"><span style="color: #00ff00;">tie</span> </span><span style="color: #000000;"><strong>The Heart of the World</strong> Guy Maddin, Canada, 2000  (<span style="color: #00ff00;">13</span>)<br />
</span><strong> </strong><span style="color: #000000;"><span style="color: #00ff00;">tie</span> <strong>RR </strong>James Benning, U.S., 2007 (<span style="color: #00ff00;">13</span>)<br />
<span style="color: #00ff00;">11.</span></span> <span style="color: #000000;"> <strong>Black and White Trypps Number Three</strong> Ben Russell, U.S., 2007 	(<span style="color: #00ff00;">12</span>)<br />
</span><span style="color: #00ff00;">tie</span><strong> </strong><span style="color: #000000;"><strong>The Decay of Fiction</strong></span> <span style="color: #000000;"> Pat O’Neill, U.S., 2002 (<span style="color: #00ff00;">12</span>)<br />
</span><span style="color: #00ff00;">tie</span><strong> </strong><span style="color: #000000;"><strong>The God of Day Had Gone Down Upon Him</strong> Stan  Brakhage, U.S., 2002 (<span style="color: #00ff00;">12</span>)<br />
</span><span style="color: #00ff00;">tie </span><span style="color: #000000;"><strong>An Injury to One</strong> Travis Wilkerson, U.S., 2002  (<span style="color: #00ff00;">12</span>)<br />
<span style="color: #00ff00;">tie</span><strong> Kolkata</strong> Mark LaPore, US/India, 2005 (<span style="color: #00ff00;">12</span>)<br />
<span style="color: #00ff00;">tie</span><strong> </strong><strong>13 Lakes</strong> James Benning, U.S., 2004 (<span style="color: #00ff00;">12</span>)</span><br />
<span style="color: #00ff00;">17.</span> <strong>The General Returns from One Place to Another</strong> Michael Robinson, U.S., 2006 (<span style="color: #00ff00;">11</span>)<br />
<strong> </strong><strong> </strong><span style="color: #00ff00;">tie</span><strong> </strong> <strong>Song and Solitude</strong> Nathaniel Dorsky, U.S., 2006  (<span style="color: #00ff00;">11</span>)<br />
<span style="color: #00ff00;">19.</span><strong> False Aging</strong> Lewis Klahr, U.S., 2008 (<span style="color: #00ff00;">10</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>The Glass System</strong> Mark LaPore, U.S., 2000 (<span style="color: #00ff00;">10</span>)</p>
<p><span id="more-4824"></span><br />
<span style="color: #00ff00;">tie </span> <strong>Instructions for a Light and Sound Machine</strong> Peter  Tscherkassky, Austria, 2005 (<span style="color: #00ff00;">10</span>)<br />
<span style="color: #00ff00;">tie </span><strong>A Letter to Uncle Boonmee Apichatpong</strong> Weerasethakul, Thailand, 2009 (<span style="color: #00ff00;">10</span>)<br />
<span style="color: #00ff00;">tie </span><strong>She Puppet</strong> Peggy Ahwesh, U.S., 2001 (<span style="color: #00ff00;">10</span>)<br />
<span style="color: #00ff00;">tie </span><strong>Skagafjördur</strong> Peter Hutton, U.S./Iceland, 2004 (<span style="color: #00ff00;">10</span>)<br />
<span style="color: #00ff00;">25.</span> <strong>As I Was Moving Ahead Occasionally I Saw Brief Glimpses 	  	of Beauty</strong> Jonas Mekas, U.S., 2000	(<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie </span><strong>The Great Art of Knowing</strong> David Gatten, U.S., 2004  (<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie </span><strong>The Ground</strong> Robert Beavers, U.S., 1993-2001 (<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie </span><strong>The Hedge Theater</strong> Robert Beavers,  U.S./Switzerland, 2002 (<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie </span><strong>Poetry and Truth</strong> Peter Kubelka, Austria, 2003 (<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie </span><strong>Sarabande</strong> Nathaniel Dorsky, U.S., 2008	(<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie </span><strong>The Visitation</strong> Nathaniel Dorsky, U.S., 2002 (<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>When It Was Blue</strong> Jennifer Reeves, U.S./Iceland,  2008	(<span style="color: #00ff00;">9</span>)<br />
<span style="color: #00ff00;">33. </span><strong>Arbor Vitae</strong> Nathaniel Dorsky, U.S., 2000 (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie </span><strong>In Comparison</strong> Harun Farocki, Germany/Austria, 2009  (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>It’s Not My Memory of It – Three Recollected Documents</strong> The Speculative Archive U.S., 2003 (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>Meditations on Revolution, Part V: Foreign City</strong> Robert Fenz, U.S., 2003 (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>Nest of Tens</strong> Miranda July, U.S., 2000 (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>O’er the Land</strong> Deborah Stratman, U.S., 2009	(<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie </span><strong>Psalm III: Night of the Meek</strong> Phil Solomon, U.S.,  2002 (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">tie </span> <strong>Winter</strong> Nathaniel Dorsky, U.S., 2008 (<span style="color: #00ff00;">8</span>)<br />
<span style="color: #00ff00;">41. </span> <strong>California Trilogy: Los, Sogobi, El Valley Centro</strong> James  Benning, U.S., 2000-01 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie </span> <strong>*Corpus Callosum</strong> Michael Snow, Canada, 2002 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>Dream Work (for Man Ray)</strong> Peter Tscherkassky,  Austria, 2001 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>Horizontal Boundaries</strong> Pat O’Neill, U.S., 2008 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie</span> <strong>Let Each One Go Where He May</strong> Ben Russell,  U.S./Suriname, 2009 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie </span> <strong>Still Raining, Still Dreaming</strong> Phil Solomon, U.S.,  2009 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie </span> <strong>The Two Minutes to Zero Trilogy</strong> Lewis Klahr, U.S.,  2003-04 (<span style="color: #00ff00;">7</span>)<br />
<span style="color: #00ff00;">tie </span><strong>What the Water Said, nos. 4-6</strong> David Gatten, U.S.,  2007 (<span style="color: #00ff00;">7</span>)</p>
<div id="attachment_5041" class="wp-caption aligncenter" style="width: 385px"><a href="http://dinca.org/wp-content/uploads/2010/05/david-gatten-filmmaker.jpg"><img class="size-medium wp-image-5041" title="david-gatten-filmmaker" src="http://dinca.org/wp-content/uploads/2010/05/david-gatten-filmmaker-375x308.jpg" alt="" width="375" height="308" /></a><p class="wp-caption-text">Filmmaker David Gatten, aka Number 8</p></div>
<h4>TOP 50 FILMMAKERS</h4>
<p><strong>1. </strong>Nathaniel Dorsky (<span style="color: #00ff00;">54</span>)<br />
<strong>2. </strong>James Benning (<span style="color: #00ff00;">49</span>)<br />
<strong>3.</strong> Ken Jacobs (<span style="color: #00ff00;">45</span>)<br />
<strong>4.</strong> Lewis Klahr (<span style="color: #00ff00;">41</span>)<br />
<strong>5. </strong>Stan Brakhage (<span style="color: #00ff00;">37</span>)<br />
<strong>tie </strong>Phil Solomon (<span style="color: #00ff00;">37</span>)<br />
<strong>7. </strong>Robert Beavers (<span style="color: #00ff00;">35</span>)<br />
<strong>8. </strong>David Gatten (<span style="color: #00ff00;">32</span>)<br />
<strong>tie </strong>Peter Hutton (<span style="color: #00ff00;">32</span>)<br />
<strong>10.</strong> Michael Robinson (<span style="color: #00ff00;">30</span>)<br />
<strong>11.</strong> Ernie Gehr (<span style="color: #00ff00;">29</span>)<br />
<strong>tie </strong>Ben Russell (<span style="color: #00ff00;">29</span>)<br />
<strong>13. </strong>Mark LaPore (<span style="color: #00ff00;">27</span>)<br />
<strong>14. </strong>Ben Rivers (<span style="color: #00ff00;">24</span>)<br />
<strong>15. </strong>Janie Geiser (<span style="color: #00ff00;">23</span>)<br />
<strong>tie </strong>Jeanne Liotta (<span style="color: #00ff00;">23</span>)<br />
<strong>17. </strong>Luther Price (<span style="color: #00ff00;">21</span>)<br />
<strong>18. </strong>Jennifer Reeves (<span style="color: #00ff00;">20</span>)<br />
<strong>19. </strong>Pat O’Neill (<span style="color: #00ff00;">19</span>)<br />
<strong>20. </strong>Apichatpong Weerasethakul (<span style="color: #00ff00;">18</span>)<br />
<strong>21. </strong>Peggy Ahwesh (<span style="color: #00ff00;">17</span>)<br />
<strong>tie </strong>Stephanie Barber (<span style="color: #00ff00;">17</span>)<br />
<strong>tie </strong>Vincent Grenier (<span style="color: #00ff00;">17</span>)<br />
<strong>tie </strong>Jim Jennings (<span style="color: #00ff00;">17</span>)<br />
<strong>tie </strong>Peter Tscherkassky (<span style="color: #00ff00;">17</span>)<br />
<strong>tie </strong>Fred Worden (<span style="color: #00ff00;">17</span>)<br />
<strong>27. </strong>Guy Maddin (<span style="color: #00ff00;">16</span>)<br />
<strong>tie </strong>Bruce McClure (<span style="color: #00ff00;">16</span>)<br />
<strong>tie </strong>Julie Murray (<span style="color: #00ff00;">16</span>)<br />
<strong>30. </strong>Morgan Fisher (<span style="color: #00ff00;">15</span>)<br />
<strong>31. </strong>Scott Stark (<span style="color: #00ff00;">14</span>)<br />
<strong>tie </strong>Deborah Stratman (<span style="color: #00ff00;">14</span>)<br />
<strong>tie </strong>Travis Wilkerson (<span style="color: #00ff00;">14</span>)<br />
<strong>34. </strong>Harun Farocki (<span style="color: #00ff00;">13</span>)<br />
<strong>tie </strong>Jonas Mekas (<span style="color: #00ff00;">13</span>)<br />
<strong>36. </strong>Bruce Conner (<span style="color: #00ff00;">12</span>)<br />
<strong>tie </strong>Robert Fenz (<span style="color: #00ff00;">12</span>)<br />
<strong>tie </strong>Michael Snow (<span style="color: #00ff00;">12</span>)<br />
<strong>tie </strong>Leslie Thornton (<span style="color: #00ff00;">12</span>)<br />
<strong>40. </strong>Heinz Emigholz (<span style="color: #00ff00;">11</span>)<br />
<strong>tie </strong>Miranda July (<span style="color: #00ff00;">11</span>)<br />
<strong>42. </strong>Eve Heller (<span style="color: #00ff00;">10</span>)<br />
<strong>tie </strong>Michelle Smith (<span style="color: #00ff00;">10</span>)<br />
<strong>tie </strong>The Speculative Archive (<span style="color: #00ff00;">10</span>)<br />
<strong>45. </strong>Jacqueline Goss (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Nicky Hamlyn (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Peter Kubelka (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Sharon Lockhart (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Jean-Marie Straub &amp; Danièle Huillet (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Jim Trainor (<span style="color: #00ff00;">9</span>)</p>
<h4>25 FILMMAKERS FOR THE 21ST CENTURY</h4>
<p>(<span style="color: #00ff00;">emerging artists beyond the top 50</span>)</p>
<p><strong>1.</strong> Tomonari Nishikawan (<span style="color: #00ff00;">23</span>)<br />
<strong>2.</strong> Jim Finn (<span style="color: #00ff00;">15</span>)<br />
<strong>3.</strong> Daichi Saito (<span style="color: #00ff00;">13</span>)<br />
<strong>4.</strong> Luis Recoder &amp; Sandra Gibson (<span style="color: #00ff00;">11</span>)<br />
<strong>tie </strong>Alexandra Cuesta (<span style="color: #00ff00;">11</span>)<br />
<strong>tie </strong>Kevin J. Everson (<span style="color: #00ff00;">11</span>)<br />
<strong>tie</strong> Laida Lertxundi (<span style="color: #00ff00;">11</span>)<br />
<strong>8.</strong> Shiho Kano (<span style="color: #00ff00;">10</span>)<br />
<strong>tie </strong>Vanessa O’Neill  (<span style="color: #00ff00;">10</span>)<br />
<strong>10.</strong> Paul Chan (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Paul Clipson (<span style="color: #00ff00;">9</span>)<br />
<strong>tie </strong>Emily Richardson (<span style="color: #00ff00;">9</span>)<br />
<strong>tie</strong> Sylvia Schedelbauer (<span style="color: #00ff00;">9</span>)<br />
<strong>14.</strong> Minyong Jang (<span style="color: #00ff00;">8</span>)<br />
<strong>tie</strong> Hannes Schüpbach (<span style="color: #00ff00;">8</span>)<br />
<strong>tie </strong>Fern Silva (<span style="color: #00ff00;">8</span>)<br />
<strong>tie</strong> Gretchen Skogerson (<span style="color: #00ff00;">8</span>)<br />
<strong>tie </strong>Ryan Trecartin (<span style="color: #00ff00;">8</span>)<br />
<strong>tie </strong>Soon Mi Yoo (<span style="color: #00ff00;">8</span>)<br />
<strong>20. </strong>Bobby Abate (<span style="color: #00ff00;">7</span>)<br />
<strong>tie </strong>Chris Kennedy (<span style="color: #00ff00;">7</span>)<br />
<strong>tie </strong>Andrew Lampert (<span style="color: #00ff00;">7</span>)<br />
<strong>tie </strong>Matt McCormick (<span style="color: #00ff00;">7</span>)<br />
<strong>tie </strong>Rebecca Meyers (<span style="color: #00ff00;">7</span>)<br />
<strong>tie </strong>Jonathan Schwartz (<span style="color: #00ff00;">7</span>)</p>
<p><strong>© 2010 by the Film Society of Lincoln Center</strong></p>
<p><strong>More:</strong></p>
<p><a href="http://www.filmlinc.com/fcm/mj10/agpoll.htm" target="_blank">Film Society of the Lincoln Film Center: Avant-Garde Poll (official post)</a></p>
<p><a href="http://www.filmlinc.com/" target="_blank">The Film Society of the Lincoln Center</a></p>
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