

Careful(1992), Guy Maddin’s third feature film, draws inspiration from such films as The Cabinet of Dr. Calighara (1920) and A Trip to the Moon (1902). Upon its release, some critics classified Careful as a neo-german-expressionist film — visually, this is true — however, Careful’s candy-eye visuals occasionally serve as artifice that sets the viewer up for an unexpected comdedic round-house kick. Wild humor and sound considered, Canadian Expressionism is more suitable — it’s a wildly original film that sits next to The Saddest Music in the World (1996) and Sissy Boy Slap Party (1994) as Maddin’s best work to date.
Surrealism
Butler School and Humor
Maddin and George Toles teamwork
In Careful, Guy Maddin’s third feature film, Surrealist visuals run amok and the mise en scène recalls A Trip to the Moon (1902) or that of a German Expressionist film like The Cabinet of Dr. Caligari (1920). There also is a heavy dose of Bunuel influence, too, for there are many moments that call to mind Un Chien Andalou (1929) and L’Age D’or (1930).
The film begins with a washed out sepia tint and fluctuates between black/white and hyper-stylized coloring throughout. At times the pairing of red and green lighting gels resemble the set of a Dario Argento movie, specifically Suspiria (1977). Maddin shot the film on super 16mm and blew it up to a 35mm print, therefore the picture is noticeably grainy, and Maddin probably did this (more…)