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Photos from the 50th Ann Arbor Film Festival

4 April, 2012 by

People in the Michigan Theater Lobby

Program Director David Dinnell with filmmakers Robert Todd & Jodie Mack

Michigan Theater Marquee

Michael Robinson speaks

Candles

Sunny at the merch booth

35mm Clear Leader

Jesse Malmad (Bad At Sports) & Tom Colley (Video Data Bank) chillin'

American Falls signage

Phil Solomon's American Falls

Phil Solomon's American Falls

Phil Solomon's American Falls

Phil Solomon's American Falls

Leighton Pierce Threshold Of Peripheral Induction signage

Leighton Pierce's Threshold Of Peripheral Induction

Leighton Pierce's Threshold Of Peripheral Induction

Leighton Pierce artist talk at the Threshold Of Peripheral Induction installation

Some photographed moments from the 50th Ann Arbor Film Festival. Feel free to share and use.

There are plenty more photos by Abby Rose here.

More:

Ann Arbor Film Festival

Phil Solomon’s website

Leighton Pierce’s website

Michael Robinson’s website

Jodie Mack’s website

Robert Todd’s website

Video Data Bank

Bad At Sports

(Photos by Theodore Darst)

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Ann Arbor Film Festival Animated .gifs Part 2 (American Falls by Phil Solomon)

30 March, 2012 by

AMERICAN FALLS
Phil Solomon, US, 2010, 56 min, three channels, color, sound
March 25 – April 2, 2012
Work Gallery  |  306 State Street  |  Ann Arbor, MI 48104 (map)

Here are a few glimpses of the beautiful installation of Phil Solomon’s American Falls at the Work Gallery in Ann Arbor, Michigan, as part of the 50th annual AAFF.

If you’re in the area, surely don’t miss American Falls at the Work Gallery, which runs until Monday, April 2.

Tonight — March 30, 2012 — Phil Solomon will present and discuss a program dedicated to his films at 9:15pm at the Michigan Theater.

More:

Films by Phil Solomon

American Falls at the AAFF

Phil Solomon’s website

50th AAFF Schedule.

(animated .gifs compiled by Theodore Darst.)

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Stan Brakhage Black Leader, Anticipation of the Night (1959), via Phil Solomon, & Courtesy of Mark Toscano, Academy Film Archive

1 March, 2011 by
brakhage-black-leader-anticipation-of-the-night

Black Leader from Anticipation of the Night (1959), Stan Brakhage, courtesy of Mark Toscano, Academy Film Archive

Found via Phil Solomon’s Musings; part of the Brakhage Restoration Project. The Academy of Motion Picture Arts and Sciences Film Archive is restoring the complete oeuvre of Stan Brakhage. How delicious. The beauty of Brakhage. Here is one of many treats Phil Solomon shares on his blog.

From Phil Solomon’s Musings (original post here):

The animated scratched titles on the original black leader of Brakhage’s seminal work, Anticipation of the Night, backlit over a light box at the Academy Archive.

Courtesy of Mark Toscano, who is overseeing the restoration, bless him.

Black will be restored to the Night. Darkness on the Edge of Town.

Rust Never Sleeps…

Here are some additional film stills from Stan Brakhage’s Anticipation of the Night (1959), via Fred Camper.


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Still Raining Still Dreaming ('08-2009) by Phil Solomon

20 January, 2011 by

(2008-2009, digital video, sound, in progress)

Believe it or not, esoteric film sages, i.e., Phil Solomon, are open to the possibilities of working with video — and even video games. Here are two stills from Solomon’s Still Raining Still Dreaming, a film that takes images from the notorious wanton car-jacking shoot-em-up Grand Theft Auto video game; part of a series that also includes Rehearsals for Retirement (2007), Untitled (For David Gatten) (w/ Mark Lapore, 2005), and Last Days in a Lonely Place (2007).

More: http://philsolomon.com

More from Phil soon.

Check it out.

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NYFF 2010 Views from the Avant-Garde Film Schedule

23 August, 2010 by

NYFF-2010-film-festival-logo

30 SEPTEMBER–3 OCTOBER 2010

2010 is yet another fantastic year for avant-garde film; yet another fantastic New York Film Festival: Views from the Avant-Garde film program. With this post, I will try my best to provide an organized, comprehensive schedule for the 2010 NYFF: Views from the Avant-Garde.

Straight verbatim from the 2010 NYFF 2010 Views from the Avant-Garde Website:

Curated by Mark McElhatten and Gavin Smith. For its 14th year, Views offers an expanded edition, presenting four nights of New York and world premieres from the frontiers of innovative moving image making. Highlights include Robert Beavers’s The Suppliant, James Benning’s Ruhr, Nathaniel Dorsky’s Pastourelle, a restoration of Manoel de Oliveira’s Rite of Spring, and Phil Solomon’s three-screen American Falls. Also expect new work by Thom Andersen, Ute Aurand, Stephanie Barber, Mati Diop, David Gatten, Janie Geiser, Lewis Klahr, Dani Leventhal, Jeanne Liotta, Matt McCormick, Tomonari Nishikawa, Michael Robinson, Fern Silva, Deborah Stratman, Peter Tscherkassky and many others, plus nightly special Furman Gallery projection performances by Paul Clipson and Bruce McClure.

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THURSDAY SEPT 30

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6:30pm in the Furman Gallery
Pierre Clémenti: Inédite Bobines
“lost” reels from the 16mm films of actor-director Pierre Clémenti
France, c. 1965-75; 104m.

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FRIDAY OCT 1

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Noon
JEAN-MARIE STRAUB
O somma luce Jean-Marie Straub, France, 2009, 18m.
Corneille–Brecht Jean-Marie Straub & Cornelia Geise, France, 2009, 80m.

9:00pm
JAMES BENNING
Ruhr Germany/U.S., 2009, 120m.

2:00pm
HELGA FANDERL
Super 8 to 16mm blow-ups

//////// I ////////
Birds at Checkpoint Charlie (Vögel am Checkpoint Charlie)
East Berlin (Ostberlin)
Tunnel
From the Empire State Building (Aus dem Empire State Building)
Tortelloni
Wild Waters (Wilde Wasser)
Polar Bear (Eisbär)
18m.

//////// II ////////
Porte St. Denis
Columbus Circle
Rue Labat Mourning (Rue Labat in Trauer)
Mirrored Café (Spiegelcafé)
Hut (Hütte)
Tropical Garden in Spring Time (Jardin tropical im Frühling)
15m.

//////// III ////////
Portrait
Tea Time (Teetrinken)
Red Curtain (Roter Vorhang)
c. 7m.

//////// IV ////////
Dancing Water II (Wassertanz II)
For M. (Für M.)
Butterflies (Schmetterlinge)
After the Fire II (Nach dem Feuer II)
Sculpture and Water (Skulptur und Wasser)
15m.

//////// V ////////
Mist II (Nebel II)
Winklerweiher
Dancing Water I (Wassertanz I)
Mist I (Nebel I)
Künettegraben short (Künettegraben kurz)
Ingolstadt at Night (Ingolstadt nachts)
Oranges, Moon and Sun (Orangen, Mond und Sonne)
Cobwebs and Fishes (Spinnweben und Fische)
13m.

3.30pm

HISTORY IS HOMEMADE AT NIGHT: THE CRAZY, BEAUTIFUL WORLD OF JEFF KEEN

Marvo Movie, U.K., 1967, 5m.
Cineblatz, U.K., 1967, 3m.
Meatdaze, U.K., 1968, 10m.
White Lite, U.K., 1968, 3m.
Wail U.K., 1961, 5m.
Rayday Film U.K., 1968-1970/1976, 13m.
White Dust U.K., 1970-72, 33m.

phil solomon, American Falls USA, 2010, 55m.

phil solomon, American Falls USA, 2010, 55m.

7:30pm
PHIL SOLOMON (philsolomon.com)
American Falls U.S., 2010, 55m.
What’s Out Tonight Is Lost U.S., 1983, 8m.; new print – preservation by the Academy Film Archive

5.30pm
JENNIFER MONTGOMERY
The Agonal Phase U.S., 2010, 42m.
Transitional Objects U.S., 2000, 19m.

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SATURDAY OCT 2

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Photofinish Figures, Paolo Gioli, Italy, 2009, 9.12m., 16mm, b&w, silent

Photofinish Figures, Paolo Gioli, Italy, 2009, 9.12m., 16mm, b&w, silent

12 noon
MIRROR OF SHADOW AND CINDERS
Photofinish Figures (Il finish delle figure) Paolo Gioli, Italy, 2009, 9.12m.
A Thousand Julys Lewis Klahr, USA, 2010, 6.30m.
Marie Karen Yasinsky, USA, 2010, 5m.
Dissonant Manon de Boer, Netherlands/Belgium, 11m.
Ape of Nature, Peggy Ahwesh, USA, 2010, 24m. double-screen version
The Soul of Things Dominck Angerame, USA, 2010, 15m.
Destination Final Philip Widmann, Germany, 2010 9m.
Valleys of Fear Erin Espelie, USA, 2010, 22m.
SHU (Blue Hour Lullaby) Philipp Lachenmann, Germany, 2008, 12m.

Jeanne Liotta U.S., 2010, 19m.; 35mm, b&w/color, sound

2:30pm

STATION TO STATION
Crosswalk Jeanne Liotta, USA, 2010, 25m.
Servants of Mercy Fern Silva, Portugal/USA, 2010, 14m.
Rite of Spring (restoration) Manoel de Oliveira, Portugal, 1963, 99m
Print courtesy of Cinemateca Portuguesa-Museu do Cinema,
presented in cooperation with the Museum of Modern Art.

Trypps #7 (Badlands) Ben Russell USA, 2010, 9.30m., 35mm, color, sound

Trypps #7 (Badlands), Ben Russell, USA, 2010, 9.30m., 35mm, color, sound

5:30pm

VISIBILITY UNKNOWN
The Flight of Tulugaq (O Voo de Tulugaq) André Guerreiro Lopes, Brazil, 8m.
New Year Sun Jonathan Schwartz, USA, 2010, 3m.
Trypps #7 (Badlands) Ben Russell, USA, 2010, 9.30m.
Burning Bush Vincent Grenier, USA, 2010, 9.5m
Materia Obscura Jürgen Reble, Germany 11.29m.
a loft Ken Jacobs, USA, 2010, 16m.
Mamori Karl Lemieux, Canada, 2010, 7.44m.
Union Paul Clipson, USA, 2010, 10m.
Parties visible et invisible d’un ensemble sous tension Emmanuel Lefrant, France, 2010, 7m.
Drifter Timoleon Wilkins, USA, 1996-2010, 26m.

Cry when it happens, Laida Lertxundi, U.S., 2010, 14m., 16mm, color, sound

Cry when it happens, Laida Lertxundi, U.S., 2010, 14m., 16mm, color, sound

8:15pm
SINCE YOU WERE HERE …
Dust Studies Michael Gitlin, USA, 2010, 9m.
Washes Norbert Shieh, USA, 2010, 8.40m.
Get Out of the Car Thom Andersen, USA, 2010, 35m.
Obscurando el Apartiemento Rosario Sotelo, USA, 2010, 3m.
Cry When it Happens (Llora cuando te pase) Laida Lertxundi, USA, 2010, 17m.
Night Shift Gretchen Skogersen, USA, 2010, 5m.
Future So Bright Matt McCormick, USA, 2010, 30m.

10:30pm in the Furman Gallery
NIGHT GALLERY—TURN ON THE HIGH BEAMS I
two projection performances

Untitled Galaxy Paul Clipson & Jefre Cantu-Ledesma, 2010, 30m.
FIST I – IMPROPER FRICTIONS Bruce McClure, 2010, approx 30m

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Sunday October 3

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blue mantle, Rebecca Meyers USA, 2010, 34m., 16mm, color, sound

blue mantle, Rebecca Meyer, USA, 2010, 34m., 16mm, color, sound

12 noon
SEA SCROLLS
Atlantis Pieter Geenen, China/Netherlands, 2008, 11.18m.
Dining Cars Arianne Olthar, Netherlands, 2009, 15.5m.
Sea Series #7: Naufrage aux îles de Madeleine John Price, Canada, 2010, 3.39m.
Atlantiques Mati Diop, Senegal/France, 2009, 11m.
Distance Julie Murray, USA, 2010, 12m.
Travelogue Vincent Grenier, USA, 2010, 8.8m.
Shrimp Boat Log David Gatten, USA, 2010, 6m.
Blue Mantle Rebecca Meyer, USA, 2010, 34m.

Deborah Stratman, USA, 2010, 7m., 16mm, color, sound

Deborah Stratman, USA, 2010, 7m., 16mm, color, sound

2:30pm

LANDING ON THE EDGE (view website)
Place for Landing Shambavi Kaul, USA, 2010, 6m.
Hearts are Trump Again Dani Leventhal, USA, 2010, 14m.
Ray’s Birds Deborah Stratman, USA, 2010, 7m.
In the Absence of Light, Darkness Prevails Fern Silva, Brazil/USA, 2010, 13m.
Slave Ship T. Marie, USA, 2010, 4m.
Someone Should Be Happy Here April Simmons, USA, 2010, 5m.
THE HUNCH THAT CAUSED THE WINNING STREAK AND FOUGHT THE DOLDRUMS MIGHTILY Stephanie Barber, USA, 2010, 1.53m., 4.5m.
Razor’s Edge Stephanie Barber and Xav LePlae, USA, 2010, 44m.

Bust Chance, Stephanie Barber USA, 2010, 7m.; DV, color, sound

Bust Chance, Stephanie Barber, USA, 2010, 7m.; DV, color, sound

4:30pm
SÉANCE (view website)
bust chance Stephanie Barber, USA, 2010, 7m.
Love Rose Bobby Abate, USA, 2010, 13.7m.
Kindless Villain Janie Geiser, USA, 2010, 5m.
So Sure of Nowhere Buying Times to Come David Gatten, USA, 2010, 9m.
April Snow Lewis Klahr, USA, 2010, 10m.
Facts Told at Retail (after Henry James) Erin Espelie, USA, 2010, 7m.
Ghost Algebra Janie Geiser, USA, 2009 7.5m.
Tokyo–Ebisu Tomanari Nishikawa, Japan, 2010, 5m.
Possessed Fred Worden, USA, 2010, 8m.
These Hammers Don’t Hurt Us Michael Robinson, USA, 2010, 13m.

Paul Clipson & Jefre Cantu-Ledesma 2010, 30m. Super 8, color, sound

Crescent, Paul Clipson & Jefre Cantu-Ledesma, 2010, 30m. Super 8, color, sound

10:30pm in the Furman Gallery
NIGHT GALLERY—TURN ON THE HIGH BEAMS
two projection performances
Crescent Paul Clipson & Jefre Cantu-Ledesma, 2010, 30m.
FIST II – INTO A SOTSPOT Bruce McClure, 2010, approx 30m.

Gestures, Peter Herwitz USA, 2010, 7m., 16mm, 18fps, color, silent

Gestures, Peter Herwitz, USA, 2010, 7m., 16mm, 18fps, color, silent

6.30pm
SONG CYCLE (site)
Pastourelle Nathaniel Dorsky, USA, 2010, 16.5m.
Ouverture Christopher Becks, France, 2010, 5m.
The Suppliant Robert Beavers, USA/Switzerland, 2010, 5m.
Hanging upside down in the branches Ute Aurand, Germany, 2009, 15m.
Film for Invisible Ink, case no. 323: ONCE UPON A TIME IN THE WEST David Gatten, USA, 2010, 20m.
In a Year with 13 Deaths Jonathan Schwartz, USA, 2008, 3m.
One Eve Heller, USA/Austria, 2010, 4m.
Shibiyu-Tokyo Tomanari Nishikawa, Japan, 2010, 10m.
Beneath Your Skin of Deep Hollow Malena Szlam, Chile/Canada, 2010, 3m.
Gesturings Peter Herwitz, USA, 2010, 5m.
Day Dream Jim Jennings, USA, 2010, 7m.

Those Blaezing Starrs, Deborah Stratman, USA, 2010, 14.4m., 16mm, b&w, sound

Those Blaezing Starrs, Deborah Stratman, USA, 2010, 14.4m., 16mm, b&w, sound

8:30
FATAL ATTRACTIONS: AN INTRODUCTION TO BLACK AND WHITE MAGIC (site)
These Blaezing Starrs Deborah Stratman, USA, 2010, 14.4m.
Tranquility Sigfried A. Fruhauf, Austria, 2010, 6.30m.
To Another Josh Mabe, USA, 2010, 48sec.
Sugar Slim Says Lewis Klahr, USA, 2010, 7m.
Sorry Luther Price, USA, 2010, 14m.
Shutter Alexi Mani, Canada, 2009, 7m.
Floor of the World Janie Geiser, USA, 2010, 8m.
Toads Milena Gierke, Germany, 1997/2008, 6m.
Pigs Pavel Wojtasik, U.S., 2010, 7.45m.
Shadow Cut Martin Arnold, Austria, 2010, 4m.
Coming Attractions Peter Tscherkassky, Austria, 2010, 23.40m.
Total running time: 105.5m

More:

2010 NYFF Views from the Avant-Garde website

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Experimental Film Achievements of the 21st Century: Avant-Garde Poll: Film Society of the Lincoln Center

23 May, 2010 by

January 2010: The Film Society of the Lincoln Film Center conducts an avant-garde film and video poll:

FSLFC’s Preface: In the past decade, the making and showing of experimental film worldwide has gone from strength to strength, so much so that it can be categorically said that avant-garde cinema is as vital now as it has ever been. This addendum to our Jan/Feb end-of-decade wrap-up serves to acknowledge just some of the experimental film achievements of the 21st century’s first 10 years. The rankings on the three lists below were obtained through the tabulation of the number of mentions a given film or filmmaker received in poll responses from a 46-strong group of critics, programmers, and teachers.

Poll participants: Acquarello, Steve Anker, Thomas Beard, Ariella Ben-Dov, Amy Beste, Robin Blaetz, Nicole Brenez, Autumn Campbell, Fred Camper, Abigail Child, David Dinnell, Patrick Friel, David Gatten, Jacqueline Goss, Ed Halter, Alexander Horwath, Kristin M. Jones, Chris Kennedy, Nellie Killian, Lewis Klahr, Irina Leimbacher, Scott MacDonald, Matt McCormick, Mark McElhatten, Kevin McGarry, Don McMahon, Olaf Möller, Oona Mosna, Pablo de Ocampo, Susan Oxtoby, Andréa Picard, Tony Pipolo, Steve Polta, J.R. Rigsby, Jeremy Rossen, Lynne Sachs, Keith Sanborn, Michael Sicinski, Josh Siegel, P. Adams Sitney, Gavin Smith, Phil Solomon, Scott Stark, Chris Stults, Jim Supanick, Genevieve Yue

THE RESULTS

At Sea (2007) by Peter Hutton

BEST AVANT-GARDE FILMS & VIDEO 2000-2009

1. At Sea Peter Hutton, U.S., 2007 (18)
2.
Pitcher of Colored Light Robert Beavers, U.S./Switz., 2007 (16)
3.
( ) Morgan Fisher, U.S., 2003 (15)
tie
Ah Liberty! Ben Rivers, U.K., 2008 (15)
tie Observando el Cielo Jeanne Liotta, U.S., 2007 (15)
tie Star Spangled to Death Ken Jacobs, U.S., 1956-2004 (15)
7.
Ten Skies James Benning, U.S., 2004 (14)
8.
The Fourth Watch Janie Geiser, U.S., 2000 (13)
tie The Heart of the World Guy Maddin, Canada, 2000 (13)
tie RR James Benning, U.S., 2007 (13)
11.
Black and White Trypps Number Three Ben Russell, U.S., 2007 (12)
tie The Decay of Fiction Pat O’Neill, U.S., 2002 (12)
tie The God of Day Had Gone Down Upon Him Stan Brakhage, U.S., 2002 (12)
tie An Injury to One Travis Wilkerson, U.S., 2002 (12)
tie Kolkata Mark LaPore, US/India, 2005 (12)
tie 13 Lakes James Benning, U.S., 2004 (12)

17. The General Returns from One Place to Another Michael Robinson, U.S., 2006 (11)
tie Song and Solitude Nathaniel Dorsky, U.S., 2006 (11)
19. False Aging Lewis Klahr, U.S., 2008 (10)
tie The Glass System Mark LaPore, U.S., 2000 (10)

(more…)

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