Robert Breer, Kinetic Poet of the Avant-Garde
A founding member of the American avant-garde, Robert Breer (b. 1926) has been working at the forefront of experimental animation for over fifty years. The son of an inventor and engineer, Breer’s continued experimentation with a range of film and animation techniques has drawn from his deep knowledge of early cinema and cinematographic technologies. Breer is celebrated not only for his remarkable line and live action techniques, seen in works such as A Man and His Dog Out for Air (1957), but also for fabulous collage films such as Un Miracle (1954) and his dazzling use of single-frame photography in break-through films such as Fist Fight (1964) and the incredible Jamestown Baloos (1957).
Continuing reading at the Harvard Film Archives webpage
Swiss Army Knife with Rats and Pigeons
By Robert Breer